从多模态隐转喻视角分析《中华的故事》中的中国国家形象
发布时间：2023-08-25 19:15
国家形象是一个民族的名片,是国家软实力的重要组成部分,能够体现一个国家的历史文化、民族精神以及价值观念。而纪录片作为一种信息传播的重要手段,是国际交流中塑造、传播并提升国家形象的重要载体。英国广播公司(BBC,British Broadcasting Corporation),是世界最大的新闻广播机构之一,由其拍摄的纪录片在全球享有高知名度和广泛信誉,研究其对中国国家形象的塑造有着重要现实的意义。目前,国内外多模态隐转喻的相关研究主要集中于广告及政治漫画等语类的分析,鲜有关注动态的纪录片语类中多模态隐转喻的意义构建。笔者选择由英国广播公司拍摄的大型纪录片《中华的故事》第一集《祖先》作为研究语料文本,来探究该纪录片中所体现的多模态隐喻和转喻,并分析其塑造的国家形象,进而研究多模态隐喻和转喻的互动。本文在多模态隐喻和转喻的理论框架下,运用语言学分析软件ELAN对纪录片中涉及到塑造国家形象的多模态隐喻和转喻进行了标注。拟解决如下三个问题:《中华的故事》中多模态隐转喻的主要类型有哪些?《中华的故事》中多模态隐转喻如何实现意义共建?《中华的故事》展现了怎样的中国国家形象?研究发现:一、基于莱考夫...
【文章页数】：84 页
【学位级别】：硕士
【文章目录】：
Abstract
摘要
Chapter One Introduction
1.1 Research Background
1.2 Research Significance
1.3 Organization of the Thesis
Chapter Two Literature Review
2.1 Previous Studies of Multimodal Metaphor and Metonymy
2.1.1 The development of multimodal metaphor
2.1.2 The development of multimodal metonymy
2.1.3 The relationship between multimodal metaphor and metonymy
2.2 Previous Studies of China’s National Image in Documentaries
Chapter Three Theoretical Framework and Research Methodology
3.1 The Conceptual Metaphor Theory
3.1.1 The features of conceptual metaphor
3.1.2 The classification of conceptual metaphor
3.2 The Conceptual Metonymy Theory
3.2.1 The cognitive principles of metonymy
3.2.2 The classification of conceptual metonymy
3.3 Interaction Theory Between Multimodal Metaphor and Metonymy
3.4 Methodology
3.4.1 Research data
3.4.2 Data collection methods
3.4.3 Data analysis
Chapter Four Findings and Discussion
4.1 Identification of the Multimodal Metaphors in The Story of China
4.1.1 Multimodal ontological metaphors
4.1.2 Multimodal structural metaphors
4.1.3 Multimodal orientational metaphors
4.2 Identification of the Multimodal Metonymies in The Story of China
4.2.1 Part-for-whole
4.2.2 Part-for-part
4.3 The Meaning Construction of the Multimodal Metaphors and metonymies
4.3.1 Interaction between modalities
4.3.2 Interaction between multimodal metaphors and metonymies
4.3.3 Factors influencing meaning construction
4.4 China’s National Image in The Story of China
Chapter Five Conclusion
5.1 Summary on the Present Major Findings
5.2 Limitation in the Present Study
5.3 Suggestions for the Future Study
References
Appendix Ⅰ
Appendix Ⅱ
Acknowledgements
攻读学位期间发表论文及参加科研情况
本文编号：3843156
【文章页数】：84 页
【学位级别】：硕士
【文章目录】：
Abstract
摘要
Chapter One Introduction
1.1 Research Background
1.2 Research Significance
1.3 Organization of the Thesis
Chapter Two Literature Review
2.1 Previous Studies of Multimodal Metaphor and Metonymy
2.1.1 The development of multimodal metaphor
2.1.2 The development of multimodal metonymy
2.1.3 The relationship between multimodal metaphor and metonymy
2.2 Previous Studies of China’s National Image in Documentaries
Chapter Three Theoretical Framework and Research Methodology
3.1 The Conceptual Metaphor Theory
3.1.1 The features of conceptual metaphor
3.1.2 The classification of conceptual metaphor
3.2 The Conceptual Metonymy Theory
3.2.1 The cognitive principles of metonymy
3.2.2 The classification of conceptual metonymy
3.3 Interaction Theory Between Multimodal Metaphor and Metonymy
3.4 Methodology
3.4.1 Research data
3.4.2 Data collection methods
3.4.3 Data analysis
Chapter Four Findings and Discussion
4.1 Identification of the Multimodal Metaphors in The Story of China
4.1.1 Multimodal ontological metaphors
4.1.2 Multimodal structural metaphors
4.1.3 Multimodal orientational metaphors
4.2 Identification of the Multimodal Metonymies in The Story of China
4.2.1 Part-for-whole
4.2.2 Part-for-part
4.3 The Meaning Construction of the Multimodal Metaphors and metonymies
4.3.1 Interaction between modalities
4.3.2 Interaction between multimodal metaphors and metonymies
4.3.3 Factors influencing meaning construction
4.4 China’s National Image in The Story of China
Chapter Five Conclusion
5.1 Summary on the Present Major Findings
5.2 Limitation in the Present Study
5.3 Suggestions for the Future Study
References
Appendix Ⅰ
Appendix Ⅱ
Acknowledgements
攻读学位期间发表论文及参加科研情况
本文编号：3843156
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