当前位置:主页 > 文艺论文 > 影视论文 >

积极多模态隐喻分析视野下的《厉害了,我的国》

发布时间:2024-03-20 22:23
  隐喻作为一种语言形式,一直以来都有受到学术界的关注。传统上隐喻被认为是一种修辞,一种语言的装饰。然而到了1980年,随着《我们赖以生存的隐喻》的出版,隐喻的研究进入了一个新的阶段,即从隐喻的修辞功能转向了其认知的本质。随着科学技术的飞速发展,人们传递信息的方式已经逐渐从单纯的语言模态转变为了多模态。因此,研究隐喻在多模态表征中的作用是十分必要的。然而,以往对于多模态隐喻的研究少于语言隐喻,其研究的体裁主要涉及广告、漫画、电影等类型,多模态隐喻在纪录片中的意义建构很少却鲜有涉及。纪录片电影《厉害了,我的国》很明显是一部多模态语篇。所以本文在概念隐喻理论、概念整合理论和积极话语分析的基础上对纪录片电影《厉害了,我的国》中的多模态隐喻进行了分析。由于目前对多模态隐喻的分析尚没有已存在的分析模式,所以笔者试图提出一种适用于当前多模态隐喻分析的模型以期揭示语言资源和非语言资源在构建友好和谐社会中的作用。本文借助于隐喻识别程序MIPVU,Forceville的多模态隐喻识别标准以及ELAN软件,通过Charteris-Black提出的隐喻识别、隐喻阐释和隐喻说明三个步骤,将定量和定性分析的方法结合...

【文章页数】:111 页

【学位级别】:硕士

【文章目录】:
ACKNOWLEDGEMENTS ABSTRACT 摘要 CHAPTER Ⅰ INTRODUCTION
1.1 Research Background
1.2 Research Objectives
1.3 Significance of the Research
1.4 Research Methodology of the Thesis
1.5 Organization of the Thesis CHAPTER Ⅱ LITERATURE REVIEW
2.1 Multimodal Metaphor Research
    2.1.1 Mode
    2.1.2 Monomodal Metaphor and Multimodal Metaphor
    2.1.3 The Distinctive Features of Multimodal Metaphor
    2.1.4 Previous Studies of Multimodal Metaphor Abroad
    2.1.5 Previous Studies of Multimodal Metaphor at Home
2.2 Relevant Research of Positive Discourse Analysis
    2.2.1 Previous Studies of Critical Discourse Analysis
    2.2.2 Previous Studies of Positive Discourse Analysis CHAPTER Ⅲ THEORETICAL BASIS
3.1 Conceptual Metaphor Theory
    3.1.1 Categorization of Conceptual Metaphor
    3.1.2 The Characteristics of Conceptual Metaphor
    3.1.3 Working Mechanism of Conceptual Metaphor
3.2 Conceptual Blending Theory
    3.2.1 Mental Spaces
    3.2.2 Cross-space Mapping and Projection of Conceptual Blending Theory
    3.2.3 Network Model of Conceptual Blending Theory
3.3 Critical Metaphor Analysis
    3.3.1 Metaphor Identification
    3.3.2 Metaphor Interpretation
    3.3.3 Metaphor Explanation
3.4 Positive Discourse Analysis
3.5 Positive Multimodal Metaphor Analysis CHAPTER Ⅳ ANALYSIS AND DISCUSSION OF MULTIMODALMETAPHOR IN AMAZING CHINA
4.1 Identification of Multimodal Metaphors in Amazing China
    4.1.1 Identification of Multimodal Metaphor Via MIPVU
    4.1.2 Forceville’s Identification Criteria for Multimodal Metaphor
    4.1.3 An Introduction to Video Analysis Software ELAN
4.2 The Classification of Multimodal Metaphors in Amazing China
    4.2.1 The Number Distribution on the Classification of Multimodal Metaphors in Amazing China
    4.2.2 Multimodal Manifestations of the Types of Multimodal Metaphor inAmazing China
4.3 The Meaning Co-construction of Multimodal Metaphors in Amazing China
    4.3.1 Multimodal Ontological Metaphors
    4.3.2 Multimodal Structural Metaphors
    4.3.3 Multimodal Orientational Metaphors
4.4 PDA of Multimodal Metaphors in Amazing China from the Perspective of Appraisal Theory
    4.4.1 PDA of Multimodal Metaphors in Amazing China Based on Attitude System
    4.4.2 PDA of Multimodal Metaphors in Amazing China Based on Engagement System
    4.4.3 PDA of Multimodal Metaphors in Amazing China Based on Graduation System CHAPTER Ⅴ CONCLUSION
5.1 Major Findings of the Study
5.2 Implications of the Study
5.3 Limitations in the Present Study
5.4 Suggestions for Future Study REFERENCES



本文编号:3933396

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/3933396.html


Copyright(c)文论论文网All Rights Reserved | 网站地图

版权申明:资料由用户37861***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com