论曾繁仁的生态美学观_论孔子的美学思想

发布时间：2016-10-05 18:09

  本文关键词：论孔子的美学思想，由笔耕文化传播整理发布。

论孔子的美学思想

     2009-7-19 10:49:10     来源：     

　　论文标题论孔子的美学思想
Commenting on the Aesthetics of Confucius
论文作者王晓燕
论文导师徐仪明,论文学位硕士,论文专业中国哲学
论文单位河南大学,点击次数0,论文页数33页File Size1098k
2002-05-01孔子;美学;中庸
ideal enlightenment;political revolution;role transformation
孔子是中国最有影响的思想家之一，也是千古推崇的教育家。他在美学上的最大的贡献就在于他的“美育”，不论从诗教、乐教或艺术教育来看，孔子都是中国最早具有原创性的美学家。孔子的美学与其“仁学”息息相关，其美学重点不是在培养专业艺术家，而在通过美育，培养健全的精神人格。 全文共分八部分： 第一部分：引论。简单介绍了孔子以前有关美学的思想，虽然非常朴素和缺乏系统，但就其思想的实质来看，已触及了有关美的本质的一些重要问题，具有某种哲学的含义，为孔子美学的产生做了重要准备。 第二部分：孔子论美。孔子所谓的“美”，就是符合“仁”、“善”和“真”，这三项都是判断美的标准。孔子虽然不像西方哲学家直接地给“美”下定义，却深刻体现了孔子对美的看法。 第三部分：美感经验的形成。笔者通过对孔子美学的学习，认为这一章应包含三部分：第一，主体和客体的统一，即审美主体首先应有理解力，加上被欣赏客体的特性，才能产生美感经验。第二，主观的生命情调先需有充分的人文素养，然后才能深刻体悟意境之美。第三，因为主体性向的不同，才会有不同的选择，从而产尘不同的美感经验。 第四部分：审美标准。孔子的审美标准包括“文”和“质”的统一、“美”和“善”的统一以及“中和之道”，这种审美标准深刻影响了中国文化。 第五部分：孔子论艺术创作的原动力。孔子提出诗可以“兴”、“观”、“群”和“怨”，作为艺术创作的原动力，言简意赅，立意周到严谨，在世界文化中占有重要的地位。 第六部分：孔子论艺术的社会功能。孔子把美学作为一种社会教育，即美育。通过美育，不但能提升个人的精神人格，而且会不断地转化社会风气，从而匡正人心，辅理治国。 第七部分：孔子美学与古希腊柏拉图、亚翠士多德美学的比较。三者的美学思想有许多相同之处，，如都强调“中和”之美。但也有许多相异之处，主要原因在于中国哲学与西方哲学风格的不同。 第八部分：对以孔子为代表的传统美学当代意义的思考。当代人类面临生存困境，艺术的困境以及人的价值的危机，充满东方智慧的儒家传统美学，对于其摆脱这种困境与危机提供了上贵的启示。
Confucius is one of the most effective thinkers and educators. The most tribute what he made is his "Education of Aesthetics". Confucius is the first original aesthetician through poem education, music education and art education. The Aesthetics of Confucius and his "Humanity" coincided, so the important part of his aesthetics is not to train professional artist, but to train moral character through Education of Aesthetics.This paper consists of eight parts:The first part: Introduction. In this part, some ideas of aesthetics before Confucius is simply introduced. It is very plain and non-systemic, but seen from its nature it has touched some important problems about aesthetic nature, and it is some of philosophy, thus make a preparation for the formation of aesthetics of Confucius.The second part: Confucius discussed aesthetics. The aesthetics discussed by Confucius must be in line with the ideas of "humanity", "kind" and "true", which is the standards for criticizing aesthetics. Not like the west philosophers, Confucius didn"t directly give a definition to "aesthetics", but his view of aesthetics is deeply reflected.The third part: the formation of the experience of aesthetic feeling. The author thinks that this counter should consist of three parts after studying the aesthetics of Confucius: first, the unity of subject and object. That is to say, it is necessary for producing the experience of aesthetic feeling that the aesthetic subject must have comprehension first, and add to the special property of aesthetic object. Second, subjective emotional appeal cannot deeply realize the beauty of artistic conception before it has a sufficient humane attainment. Third, that the subject has different choices because ofits different inclination produces different experience of aesthetic feeling.The forth part: the aesthetic standards. The aesthetic standards of Confucius include the unity of "content" and "form", "elegant" and "kind" and "the way of neutralization", which affect the culture of China deeply.The fifth part: the discussion about the original motive power of the art creation of Confucius. Confucius raised that poem can "rise", "observe", "crowd" and "complain", which were treated as the original motive power of the art creation. The ideas of Confucius are fairly brief provoking and considerable, which plays a very important role in the world culture.The sixth part: the discussion about artistic social function of Confucius. Confucius regarded aesthetics as a social education, namely aesthetic education. It can not only promote the mortal character of individual, but also help to change the social atmosphere, thus save the people"s spirit and assist to run a country.The seventh part: the aesthetic comparison of Confucius and Plato , Aristotle of the old Greeks. Their aesthetic ideas are identical in many ways. for example, they all emphasized the "beauty of Neutralization", but there are some different ways between them because of the different style of the Chinese philosophy and the west philosophy.The eighth part: ruminating the devotion of Aesthetics of Confucius to our modern society. The present human is facing the predicaments of existence, artistic predicaments and the crises of value, but the traditional aesthetics of the Confucianists filled with the east witness provides precious enlightenment for breaking away from predicaments and crises.

  本文关键词：论孔子的美学思想，由笔耕文化传播整理发布。

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