从《红楼梦》两译本看文化取向对译者主体性的影响

发布时间：2021-09-04 14:25

　　译者无疑是翻译活动中最活跃的主体因素．当代文论中阐释学和接受美学的盛行以及翻译研究中描写翻译学的兴起与翻译研究的文化转向，使译者作为翻译主体的身份得以突显，学术界开始关注译者在翻译中的作用，译者主体性随之成为翻译研究的新课题。《红楼梦》是中国历史上“前不见古人，后不见来者”的经典著作，自问世以来，一直广受欢迎。专家学者们对它的批注、考评和研究经久不息，并逐渐汇集成一门新的学问—红学。上世纪70年代末、80年代初，《红楼梦》两个全译本—英国汉学家大卫·霍克斯（David Hawkes）、约翰·闵福德（John Minford）翻译的The Story of the Stone和杨宪益（Yang Xianyi）、戴乃迭（Gladys Yang）夫妇翻译的A Dream of Red Mansion相继面世。两种译本翻译方法及风格等都各不相同，却都取得了巨大的成功，这与两位译者的主体性的发挥是分不开的。因此对《红楼梦》两译本的研究必将有助于更深刻的理解译者的主体性，而翻译红楼梦这样有着丰富文化内涵的著作时，译者的文化取向又发挥着举足重轻的作用。本文试通过对比杨宪益和大卫·霍克斯的《红楼梦》英... 

【文章来源】：中南大学湖南省 211工程院校 985工程院校 教育部直属院校

【文章页数】：127 页

【学位级别】：硕士

【文章目录】：
摘要
Abstract
Introduction
Chapter 1 A Brief Introduction to Cultural Orientation and the Translator's Subjectivity
    1.1 Definition of Translator's Subjectivity
    1.2 Formation and Rationality of Translator's Subjectivity
    1.3 About Hong Lou Meng and Its Two Versions
    1.4 Basic Patterns of Cultural Orientation
    1.5 Formation of Translator's Cultural Orientation
        1.5.1 Translator's Historical Background
        1.5.2 Cultural Status of Nationality in Which Translators Root
        1.5.3 Translator's Cultural Competence
        1.5.4 Translation Purposes and Emphases
Chapter 2 Cultural Orientation upon the Translator's Subjectivity at Macro-Level
    2.1 Cultural Orientation upon Translator's Language Style
        2.1.1 Lexical Differences
        2.1.2 Syntactic Differences
    2.2 Cultural Orientation upon Translator's Aesthetic Standards
        2.2.1 Sad v.s. Jocund
        2.2.2 Implicative v.s. Forthright
    2.3 Cultural Orientation upon Translator's Thought Patterns
        2.3.1 Associative v.s. Abstractive
        2.3.2 Synthetic v.s. Analytic
        2.3.3 Humanistic v.s. Materialistic
        2.3.4 Unitary v.s. Opposite
Chapter 3 Cultural Orientation upon the Translator's Subjectivity at Micro-Level
    3.1 Cultural Orientation on Translator's Selections of SourceText
    3.2 Cultural Orientation upon Translator's Comprehensions of Source Text
    3.3 Cultural Orientation upon Translator's Expressions of Target Text
        3.3.1 Logic Expressions
        3.3.2 Style Expressions
    3.4 Cultural Orientation upon Translator's Choices of Translation Strategies
        3.4.1 Religious Culture
        3.4.2 Ecological Culture
        3.4.3 Linguistic Culture
        3.4.4 Social Culture
        3.4.5 Material Culture
Chapter 4 Cultural Orientation upon the Translator's Subjectivity in terms of Cultural Misreading and Creative Treason
    4.1 Embodiment of Cultural Orientation in Translator's Creative Treason
    4.2 Types of Creative Treason
        4.2.1 Non-alternative Treason
        4.2.2 Strategic Treason
        4.2.3 Considerate Treason
        4.2.4 Sublimate Treason
    4.3 Relationship Between Cultural Orientation and Cultural Misreading
        4.3.1 Definition and Types of Cultural Misreading
        4.3.2 Translator's Subjectivity in Cultural Misreading
        4.3.3 Relationship Between Cultural Orientation and Cultural Misreading
Conclusion
Notes
Bibliography
Acknowledgements
攻读硕士学位主要研究成果目录


【参考文献】：
期刊论文
[1]解构"忠实"——翻译神话的终结[J]. 王东风.  中国翻译. 2004(06)
[2]译入与译出——谈中国译者从事汉籍英译的意义[J]. 潘文国.  中国翻译. 2004(02)
[3]难忘的历程——《红楼梦》英译事业的描写性研究[J]. 陈宏薇,江帆.  中国翻译. 2003(05)
[4]文学翻译主体的诠释学研究构想[J]. 袁莉.  解放军外国语学院学报. 2003(03)
[5]“创造性叛逆”和翻译主体性的确立[J]. 许钧.  中国翻译. 2003(01)
[6]论译者主体性——从译者文化地位的边缘化谈起[J]. 查明建,田雨.  中国翻译. 2003(01)
[7]译者的诞生与原作者的“死亡”[J]. 谢天振.  中国比较文学. 2002(04)
[8]论翻译之选择[J]. 许钧.  外国语(上海外国语大学学报). 2002(01)
[9]论主体性的基本内涵与特点[J]. 王玉樑.  天府新论. 1995(06)



本文编号：3383432