日本江户明治时期汉诗风潮的演变与泽井鹤汀的《吟香集》
发布时间：2018-07-13 13:51
【摘要】：日本江户后期至明治初期的汉诗坛上曾兴起过一股艳诗创作的风潮,其中泽井鹤汀的《吟香集》是颇具代表性的一部著作,该集收录了其早年的艳诗,然而鹤汀后来诗风的转变又使得他对这些诗作及其自身形象表现出了否定的态度,使得《吟香集》呈现出一种复杂的意义指向。然而,伴随着艳诗创作之风的进一步兴盛,鹤汀作为艳体诗人的形象已完全确立,甚至还被视为了明治前期诗坛领袖森春涛的引导者,从这个意义上来说,其在江户明治诗风演变背景下的诗人形象及其地位乃是人们期待及阐释的结果。
[Abstract]:From the late Edo period to the early Meiji period, there has been a surge in the creation of Yan poetry in the Han poetry world in Japan. Among them, Takei Heting's "Yin Xiang Collection" is a representative work, which contains his early poems. However, the later transformation of his poetic style made him take a negative attitude towards these poems and their own images, which made the Collection of Yin Xiang take on a complicated meaning direction. However, with the further prosperity of the style of Yan poem creation, he Ting's image as a brilliant poet has been fully established and even regarded as the guide of the leader of the early Meiji poetry circle, Sen Chun-tao. In this sense, The poet's image and status under the background of the evolution of Edo Meiji poetic style are the result of people's expectation and interpretation.
【作者单位】： 浙江财经大学人文与传播学院;上海师范大学人文与传播学院;
【基金】：国家社科基金重点项目《东亚汉诗史初编》,项目编号:14AZW007 中国博士后科学基金《好色与“好色”之间——日本江户;明治时期艳诗研究》,项目编号:2016M591587
【分类号】：I313.072
，
本文编号：2119585
[Abstract]:From the late Edo period to the early Meiji period, there has been a surge in the creation of Yan poetry in the Han poetry world in Japan. Among them, Takei Heting's "Yin Xiang Collection" is a representative work, which contains his early poems. However, the later transformation of his poetic style made him take a negative attitude towards these poems and their own images, which made the Collection of Yin Xiang take on a complicated meaning direction. However, with the further prosperity of the style of Yan poem creation, he Ting's image as a brilliant poet has been fully established and even regarded as the guide of the leader of the early Meiji poetry circle, Sen Chun-tao. In this sense, The poet's image and status under the background of the evolution of Edo Meiji poetic style are the result of people's expectation and interpretation.
【作者单位】： 浙江财经大学人文与传播学院;上海师范大学人文与传播学院;
【基金】：国家社科基金重点项目《东亚汉诗史初编》,项目编号:14AZW007 中国博士后科学基金《好色与“好色”之间——日本江户;明治时期艳诗研究》,项目编号:2016M591587
【分类号】：I313.072
，
本文编号：2119585
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