中国版权政治经济学：数字音乐产业的价值体系与市场结构
发布时间：2021-08-21 19:11
This dissertation attempts to draw up a comprehensive perspective on China’s political economy of copyright,with specific regard to the Chinese music market.Despite the abundance of scholarly research in such area,the very recent emergence of a thriving Chinese digital music industry,against the backdrop of rampant piracy and copyright infringement,still makes it at least challenging to investigate the relation between copyright laws,state policies and music businesses in China.China’s legal sys...
【文章来源】：北京外国语大学北京市 211工程院校 教育部直属院校
【文章页数】：126 页
【学位级别】：硕士
【文章目录】：
Abstract
Acknowledgements
Abbreviations
Introduction
Chapter 1: China's IP regime in the lead-up to the WTO
1.1. The 'Western model' and China's integration into the global system
1.2. China's 'copyright anarchy' within the multilateral IP framework
1.3. China's Copyright law:a case of 'legal transplantation'
1.4. Compliance with the TRIPS Agreement:the Sino-US dispute
1.5. The TRIPS and China:a model for regulatory convergence
1.6. China within the WTO Dispute Settlement Mechanism:from passive 'rule-taker'to agenda setter
1.7. Copyright:a dilemma between 'excludability' and 'flexibility'
1.8. The incentive rationale of copyright:the role of institutional capabilities
1.9. The 'one-size-fits-all' paradigm or a new 'Chinese model'?
Chapter 2: The 'incentive rationale' of copyright in China's music value system
2.1. The changing political economy of IPRs in the digital era
2.2. Does copyright still fit the purpose of music business?
2.3. Copyright in the pre-digital era:turning music into a value-generating industry
2.4. Music value system:copyright as crucial factor producing value
2.5. How collective copyright management puts IP laws into practice
2.6. The legal monopoly of the Music Copyright Society of China
2.7. Collective copyright management:between right holders' protection andtendency to market monopoly
2.8. The monopoly of state-owned telecommunication operators
2.9. Lax copyright laws and state-backed monopolies created China's tech giants
Chapter 3: The changing status of IP in China:innovation and state-backedInternet companies
3.1. China's top-down construction of private entrepreneurship
3.2. High Tech Development Zones and Creative Clusters
3.3. Digitalization and disruption in the music industry:innovation without copyright
3.4. The Tencent ecosystem:from social messaging to QQ Music
3.5. Copyright improvements driven by technology and business
Conclusion
List of References
本文编号：3356176
【文章来源】：北京外国语大学北京市 211工程院校 教育部直属院校
【文章页数】：126 页
【学位级别】：硕士
【文章目录】：
Abstract
Acknowledgements
Abbreviations
Introduction
Chapter 1: China's IP regime in the lead-up to the WTO
1.1. The 'Western model' and China's integration into the global system
1.2. China's 'copyright anarchy' within the multilateral IP framework
1.3. China's Copyright law:a case of 'legal transplantation'
1.4. Compliance with the TRIPS Agreement:the Sino-US dispute
1.5. The TRIPS and China:a model for regulatory convergence
1.6. China within the WTO Dispute Settlement Mechanism:from passive 'rule-taker'to agenda setter
1.7. Copyright:a dilemma between 'excludability' and 'flexibility'
1.8. The incentive rationale of copyright:the role of institutional capabilities
1.9. The 'one-size-fits-all' paradigm or a new 'Chinese model'?
Chapter 2: The 'incentive rationale' of copyright in China's music value system
2.1. The changing political economy of IPRs in the digital era
2.2. Does copyright still fit the purpose of music business?
2.3. Copyright in the pre-digital era:turning music into a value-generating industry
2.4. Music value system:copyright as crucial factor producing value
2.5. How collective copyright management puts IP laws into practice
2.6. The legal monopoly of the Music Copyright Society of China
2.7. Collective copyright management:between right holders' protection andtendency to market monopoly
2.8. The monopoly of state-owned telecommunication operators
2.9. Lax copyright laws and state-backed monopolies created China's tech giants
Chapter 3: The changing status of IP in China:innovation and state-backedInternet companies
3.1. China's top-down construction of private entrepreneurship
3.2. High Tech Development Zones and Creative Clusters
3.3. Digitalization and disruption in the music industry:innovation without copyright
3.4. The Tencent ecosystem:from social messaging to QQ Music
3.5. Copyright improvements driven by technology and business
Conclusion
List of References
本文编号：3356176
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