顺应论视域下《檀香刑》英译本的译者主体性研究

发布时间：2023-07-25 04:20

　　随着中国各方面的快速发展,中国文学在国际舞台上大放异彩。作为中国第一位诺贝尔文学奖的获得者,莫言功不可没。莫言作为一名优秀多产的作家,创作了很多具有研究价值的文学作品。《檀香刑》是他的长篇代表作之一,主要讲述了19世纪初发生在山东高密县的一起残酷的行刑事件。汉学家葛浩文翻译的《檀香刑》译本在2013年出版后,受到很多学者的关注和喜爱。很多学者对其进行了不同角度的研究。本文试图从顺应论的角度对《檀香刑》英译本的译者主体性进行研究。顺应论主要包括四个研究维度,即语境顺应、结构顺应、动态顺应和意识顺应程度。但是从这四个研究维度的关系来看,顺应的意识凸显程度占据主导地位,它支配着其它三个角度。或者说顺应的意识性决定顺应的动态性,从而决定了结构顺应和语境顺应,因为结构顺应和语境顺应是动态顺应的内容和具体表现形式。所以本文侧重研究顺应论的具体表现形式:结构顺应和语境顺应。顺应论指出:使用语言是不断做出选择的过程,而翻译活动作为一种语言使用,译者在考虑诸多因素后在翻译活动中也要不断做出选择,这种选择既体现了译者的主动性和创造性,又体现译者对目标语和目标语读者的顺应。由此也为文学翻译的研究提供了不同的...

【文章页数】：77 页

【学位级别】：硕士

【文章目录】：
摘要
ABSTRACT
Chapter1 Introduction
    1.1 Research Background
    1.2 Purpose and Significance of the Research
    1.3 Structure of the Thesis
Chapter2 Literature Review
    2.1 Introduction to Mo Yan and the Chinese Version of Sandalwood Death
        2.1.1 Introduction to Mo Yan
        2.1.2 Introduction to the Chinese Version of Sandalwood Death
    2.2 Introduction to Goldblatt and the English Version of Sandalwood Death
        2.2.1 Introduction to Goldblatt
        2.2.2 Previous Studies of the English Version of Sandalwood Death
    2.3 Previous Studies of Adaptation Theory
    2.4 Previous Studies of the Translator’s Subjectivity
    2.5 Summary
Chapter3 Theoretical Framework and Methodology
    3.1 Verschueren’s Adaptation Theory
        3.1.1 Brief Introduction to Adaptation Theory
        3.1.2 Making Choices
        3.1.3 Three Properties of Adaptation Theory
    3.2 Four Angles of Investigation
        3.2.1 Contextual Correlates of Adaptability
        3.2.2 Structural Objects of Adaptability
        3.2.3 Dynamics of Adaptability
        3.2.4 Salience of the Adaptation Processes
    3.3 Translator’s Subjectivity
        3.3.1 Brief Introduction
        3.3.2 Definition of Subjectivity and the Translator’s Subjectivity
        3.3.3 The Purpose and Manifestation of Translator’s Subjectivity
    3.4 Methodology
        3.4.1 Research Object
        3.4.2 Data Collection
        3.4.3 Classification Criteria
        3.4.4 Research Methods
        3.4.5 Research Questions
Chapter4 Translator’s Subjectivity in the English Version of Sandalwood Death
    4.1 Translator’s Subjectivity Achieved in Maoqiang Opera
        4.1.1 Adaptation of Rhythm in Maoqiang Opera
        4.1.2 Adaptation of Word in Maowiang Opera
    4.2 Translator’s Subjectivity Achieved in Cultural Environment
        4.2.1 Adaptation in Idioms
        4.2.2 Adaptation in Religious Beliefs
        4.2.3 Adaptation in Social Customs
        4.2.4 Adaptation in Ideology
    4.3 Summary
Chapter5 Conclusions
    5.1 Major Findings
    5.2 Limitations of the Present Research
    5.3 Suggestions for Further Studies
Acknowledgements
References
Research Results Obtained During the Study for Master Degree



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