当前位置:主页 > 文艺论文 > 文学创作论文 >

《约伯记》中的叙事技巧

发布时间:2019-07-08 21:31
【摘要】:作为西方文化的两大源头之一,《圣经》的文学性已受到中外学界越来越广泛的关注。作为《圣经》智慧文学中最杰出的作品之一,《约伯记》以其独特的叙事技巧吸引了无数学者对其进行文学研究。基于文本细读和文献批评回顾,本文作者发现《约伯记》的叙事技巧主要体现在:独特而精妙的人物刻画,聚焦的巧妙运用以及U型叙事结构下情节场景的安排这三个方面。本文综合运用巴埃弗莱特的直接与间接人物刻画理论、热奈特的聚焦理论以及弗莱的U型叙事模式理论对《约伯记》中独特的叙事技巧进行分析。 本文首先主要研究《约伯记》中独特的人物刻画。叙事者运用直接和间接人物刻画的叙事手法将约伯刻画成一个圆形人物,既是智者和上帝眼中的义者,也是对上帝的申诉者;此外,叙事者将上帝也刻画为圆形人物,既是全知全能者又是善者;以立法和比勒达是扁形人物的代表,前者被描述成伪善者,后者则是一个小丑,撒旦是叙述者笔下最典型的扁形人物:一个十恶不赦的形象。随后本文重点论述《约伯记》中零聚焦与不定式内聚焦的独特运用。叙事者使不同聚焦方式下的人物展现其不同的思维方式,并使其共同推动叙事的展开,传达作品隐含的寓意;最后,本文着重探讨《约伯记》中U型叙事模式下情节场景的独特安排。讲述约伯命运发展的四个情节场景被叙事者巧妙地安置在U型结构之下:序幕中的约伯由富足转为空无,约伯与三位友人在发展阶段的冲突,上帝在旋风中与约伯会面的高潮场景,以及约伯在尾声中的重获富足。显而易见,这四个场景遵循了《圣经》的U型叙事模式:始于富足和睦,继而遭受困苦折磨,最后重享富足。从叙事技巧这一角度解读《约伯记》,能为国内《圣经》文学的叙事学研究,尤其是对《约伯记》的研究提供一个较新的视角。
[Abstract]:As one of the two sources of western culture, the literariness of the Bible has been paid more and more attention by Chinese and foreign scholars. As one of the most outstanding works in the intelligent literature of the Bible, Job attracted countless scholars to study it with its unique narrative skills. Based on the careful reading of the text and the review of literature criticism, the author finds that the narrative skills of Job are mainly reflected in three aspects: the unique and exquisite characterization, the ingenious application of the focus and the arrangement of the plot scene under the U-shaped narrative structure. This paper analyzes the unique narrative skills in Job by using Baeffertt's theory of direct and indirect characterization, Genette's focusing theory and Frye's U-shaped narrative mode theory. First of all, this paper mainly studies the unique characterization in Job. The narrator portrays Job as a circular character by using the narrative technique of direct and indirect characters, which is not only the wise man and the righteous in the eyes of God, but also the complainant of God. In addition, the narrator portrays God as a circular character, both the omniscience and the good. Legislation is the representative of flat characters, the former is described as hypocrite, the latter is a clown, Satan is the most typical flat character in the narrator's works: a heinous image. Then this paper focuses on the unique application of zero focus and infinitesimal internal focus in Job. The narrator makes the characters under different focusing modes show their different ways of thinking, and makes them jointly promote the development of narration and convey the implied implication of the works. Finally, this paper focuses on the unique arrangement of the plot scene in the U-shaped narrative mode in Job. The four plot scenes about the development of Job's fate were cleverly placed under the U-shaped structure: Job in the prelude changed from rich to empty, the conflict between Job and three friends in the stage of development, the climax of God's meeting with Job in the whirlwind, and Job's return to prosperity at the end. Obviously, these four scenes follow the biblical U-shaped narrative model: starting with prosperity and harmony, then suffering, and finally enjoying prosperity. The interpretation of Job from the perspective of narrative skills can provide a new perspective for the narratological study of biblical literature, especially for the study of Job.
【学位授予单位】:中南大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:I106

【参考文献】

相关期刊论文 前3条

1 刘意青;简约、含蓄的《圣经》叙事艺术[J];外国文学;2001年01期

2 申丹;叙事学[J];外国文学;2003年03期

3 刘洪一;;圣经的叙事话语[J];外国文学研究;2006年06期



本文编号:2511892

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/wxchuangz/2511892.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户b9021***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com