从奥尼尔的《悲悼》看其对古希腊悲剧的继承和发展

发布时间：2021-01-07 09:23

　　悲剧是在漫长的人类发展过程中产生并不断衍化而成的文艺表现形式。悲剧是戏剧的一种,它起源于古希腊的祭祀表演。随着社会的发展,在经历了古希腊悲剧和莎士比亚悲剧两大传统的辉煌后,现代的悲剧呈现出其特有的时代特征。作为20世纪美国最伟大的剧作家之一,尤金.奥尼尔毕生致力于悲剧创作,并根据时代需要对其进行改革和创新。他的名作《悲悼》既涵盖了传统悲剧的元素,如:合唱队、面具等;同时又对悲剧艺术进行了发展和创新,使其呈现出现代的特征。本文基于亚里士多德的《诗学》中的相关悲剧理论,通过对奥尼尔的《悲悼》和古希腊悲剧进行比较分析,揭示了奥尼尔的悲剧作品对古希腊悲剧的继承和创新。在正文部分,本文以亚里士多德的《诗学》为理论基础,从悲剧人物、悲剧技巧、悲剧意识和悲剧效果等四个方面,将奥尼尔的悲剧作品《悲悼》与古希腊悲剧进行了对比分析。第一,关于悲剧人物。亚里士多德在他的《诗学》中提到:情节是古希腊悲剧的灵魂,而悲剧人物只不过是任凭作家摆布的木偶。然而在奥尼尔的悲剧作品里,悲剧人物都具有自我意识,他们的行为均源出自己的意志。在被征服的肉体和灵魂下,是他们对人性的永恒不懈的追求。生活在这个世界上,他们一直与不可... 

【文章来源】：国防科技大学湖南省 211工程院校 985工程院校

【文章页数】：74 页

【学位级别】：硕士

【文章目录】：
ABSTRACT
中文摘要
ACKNOWLEDGEMENTS
TABLE OF CONTENTS
CHAPTER INTRODUCTION
    1.1 The Objective of the Thesis
    1.2 The Background Information of the Thesis
        1.2.1 The Position of Eugene O'Neill in the World Literary Stage
        1.2.2 The Background Information of Eugene O'Neill
        1.2.3 The Background of the Creation of Mourning Becomes Electra
        1.2.4 The Origin of Tragedy and Its Early Development
        1.2.5 The Outline of Mourning Becomes Electra
    1.3 The Structure of the Thesis
CHAPTER TWO LITERATURE REVIEW
    2.1.Former Studies on Eugene O'Neill
    2.2 Aristotle's Poetics and Other Tragic Theories
CHAPTER THREE INNOVATION SEEN FROM TRAGIC CHARACTERS
    3.1 Lavinia
        3.1.1 Electra—The Model of Lavinia
        3.1.2 Lavinia
    3.2 Christine
        3.2.1 Clytemnestra—The Model of Christine
        3.2.2 Christine
    3.3 Orin
        3.3.1 Orestes—The Model of Orin
        3.3.2 Orin
CHAPTER FOUR INHERITANCE AND INNOVATION VIEWED FROM THE TRAGIC TECHNIQUES
    4.1 The Mask
        4.1.1 The Mask Used in the Ancient Greek Tragedies
        4.1.2 The Mask Used in Mourning Becomes Electra
    4.2 The Chorus
        4.2.1 The Chorus Used in Ancient Greek Tragedies
        4.2.2 The Chorus Used in Mourning Becomes Electra
CHAPTER FIVE INHERITANCE AND INNOVATION VIEWED FROM THE TRAGIC SENSE
    5.1 Fatalism
        5.1.1 Fatalism in Ancient Greek Tragedies
        5.1.2 Fatalism in Mourning Becomes Electra
    5.2 Paradox
        5.2.1 Paradox in Ancient Greek Tragedies
        5.2.2 Paradox in Mourning Becomes Electra
    5.3 Consciousness and Self-consciousness
        5.3.1 Consciousness and Self-consciousness in Ancient Greek Tragedies
        5.3.2 Consciousness and Self-consciousness in Mourning Becomes Electra
CHAPER SIX INHERITANCE AND INNOVATION VIEWED FROM THE TRAGIC EFFECT
    6.1 Cognitive Pleasure
        6.1.1 Cognitive Pleasure Achieved in Ancient Greek Tragedies
        6.1.2 Cognitive Pleasure Achieved in Mourning Becomes Electra
    6.2 Rational Pleasure
        6.2.1 Rational Pleasure Achieved in Ancient Greek Tragedies
        6.2.2 Rational Pleasure Achieved in Mourning Becomes Electra
CHAPRTER SEVEN CONCLUSION
    7.1 Findings
    7.2 Significance of the Findings
    7.3 Limitations of the Present Study and Suggestions for Future Studies
BIBLIOGRAPHY



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