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似是而非:论《荆棘鸟》女性主义的维系与颠覆

发布时间:2021-06-25 06:09
  澳大利亚女作家考林·麦卡洛(Colleen McCullough)的代表作《荆棘鸟》是一部气势恢宏的家世小说,讲述了1915-1969年间克里利一家三代女性的情感和人生经历。小说中四位女性人物各自的经历和命运成为不同历史时期澳大利亚女性成长的真实写照。本论文主要以女性人物为研究对象,运用女性主义批评的相关理论,从主体性和话语的角度解读小说中女性主义的思想。论文认为女性一方面在恶劣的自然社会环境中顽强的生存意志和坚定的爱情追求为其赢得了主体地位,同时女性表现出对男性主流话语的反抗,两者论证了女性主义基调的维系;另一方面女性在家庭生活(不幸的爱情婚姻生活)和社会生活(男性间亲密的社会关系)中论为她者、客体,同时对主流话语不彻底的、有限的抵抗又使她们与主流话语形成合谋,女性主义最终走向颠覆。论文共包括五个部分:导论、理论概述、女性主义的维系、女性主义的颠覆和结论。导论部分简要介绍作家考林·麦卡洛的文学成就,综述当前国内外对《荆棘鸟》的研究现状,并陈述本文的主要观点、研究方法。第二章结合女性主义理论和女性主义文学批评阐述、解读本论文运用到的女性主义理论—对父权制的挑战、女性主体性、以及女性话语... 

【文章来源】:安徽大学安徽省 211工程院校

【文章页数】:76 页

【学位级别】:硕士

【文章目录】:
Acknowledgements
Abstract
摘要
Chapter One Introduction
    1.1 A brief introduction to the writer's literary achievements and the work
    1.2 Literature review
    1.3 Central argument and research methodology
    1.4 Framework of the thesis
Chapter Two Feminist Theoretical Concerns in the Thesis
    2.1 Challenge against patriarchy
    2.2 Female subjectivity & objectification
    2.3 Female discourse
Chapter Three Maintenance of Feminism in ThP Thorn Birds
    3.1 Female subjectivity in the novel
        3.1.1 Women's will of survival
        3.1.2 Courageous and persistent pursuit of love
    3.2 Women's resistance to male-centered discourse in the novel
        3.2.1 Mary Carson's overwhelming socialized identity
        3.2.2 Aged Fee's reclaiming her dignity and voice
        3.2.3 Meggie's initiative consciousness of love
        3.2.4 Justine's contempt for traditional morals and pursuits of vocational career
Chapter Four Subversion of Feminism in The Thorn Birds
    4.1 Female objectification in cultural and social environment in the novel
        4.1.1 Female inferiority in tragic love and marriage
        4.1.2 Male social relationships debasing women's value
            4.1.2.1. Luke's mateship with Arne,a sugarcane cutter
            4.1.2.2 Ralph's closely spiritual relationship with Archbishop di Contini-Verchese
    4.2 Women's affirmation of male-centered discourse in the novel
        4.2.1 Mary Carson's "male-identified" image
        4.2.2 Fee's tragic life
        4.2.3 Meggie's deferring to patriarchy
        4.2.4 Retrogress of Justine's identity pursuit
Chapter Five Conclusion
Works Cited
Publications



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