在理论与实践之间：戴维·洛奇小说理论与创作实践的一致性与不一致性
发布时间：2023-04-28 03:58
戴维·洛奇是英国当代最杰出的文学批评家和小说家之一。本文应用洛奇本人的小说理论对他的创作实践进行具体分析,并指出他的小说理论与创作实践之间的一致性与不一致性。第一部分系统评析洛奇的小说理论。他的批评经历了三个阶段:他早期的基于新批评的《小说的语言》论证了小说的语言也是艺术的语言,并提出对小说可就细节、意象及重复进行分析,从而把新批评引入到小说的分析中,确立了小说的艺术地位。六七十年代是结构主义盛行的年代,洛奇应用雅各布森的隐喻和转喻理论,从美学的角度来解释现实主义小说区别于戏剧和诗歌的艺术独特性;并结合“陌生化”理论提出了现当代英国文学(主要是小说)的发展走向呈“钟摆状”——近百年来英国文学主流的走向是现实主义和反现实主义两极之间不同程度的来回摆动。八九十年代洛奇研究巴赫金的对话理论,《巴赫金之后》阐释了小说的对话特性,即小说是多种文体混合存在的文学样式。第二部分对洛奇的创作进行综述。洛奇早期的现实主义小说已经蕴含了他的基本创作特征:二元结构和对话性。成熟期的小说带有明显的实验主义特征,突出了小说创作的形式技巧。在洛奇从伯明翰大学退休后,他的小说呈现出对现实主义的回归,小说主题被前景化...
【文章页数】：78 页
【学位级别】：硕士
【文章目录】：
Acknowledgements
摘要
Abstract
Contents
Introduction
Chapter I The Evolution of Lodge's Theory: From New Criticism via Structuralism to Dialogic Theory
1.1. The Art of the Novel Is Also an Art of Language
1.2. The Modes of Modern Writing
1.3. Postmodernist Mode and Principle of Uncertainty
1.4. After Bakhtin: Dialogism of Fiction
Chapter II A Summary of Lodge's Creative Writing: From Realism via Experimental to Humanist Tradition
2.1 Early Works of Sober Realism
2.2 Experimental Novels During the Maturity
2.3 Works after Retirement-A Return to Traditional Realism
Chapter III Between Theory and Practice-on the Consistency and Discrepancy Between Lodge's Theory and Practice
3.1 The Tension between the Two Sides of a Seesaw-A Close Reading on The Picturegoers
3.2 The Binary Opposition in Lodge's Novels-Take Changing Places
3.3 Lodge's Dialogical Novels-Take Small World
3.4 A Survey on the Discrepancy Between Lodge's Theory and Practice and the Cause of the Discrepancy
Conclusion
Bibliography
本文编号：3803695
【文章页数】：78 页
【学位级别】：硕士
【文章目录】：
Acknowledgements
摘要
Abstract
Contents
Introduction
Chapter I The Evolution of Lodge's Theory: From New Criticism via Structuralism to Dialogic Theory
1.1. The Art of the Novel Is Also an Art of Language
1.2. The Modes of Modern Writing
1.3. Postmodernist Mode and Principle of Uncertainty
1.4. After Bakhtin: Dialogism of Fiction
Chapter II A Summary of Lodge's Creative Writing: From Realism via Experimental to Humanist Tradition
2.1 Early Works of Sober Realism
2.2 Experimental Novels During the Maturity
2.3 Works after Retirement-A Return to Traditional Realism
Chapter III Between Theory and Practice-on the Consistency and Discrepancy Between Lodge's Theory and Practice
3.1 The Tension between the Two Sides of a Seesaw-A Close Reading on The Picturegoers
3.2 The Binary Opposition in Lodge's Novels-Take Changing Places
3.3 Lodge's Dialogical Novels-Take Small World
3.4 A Survey on the Discrepancy Between Lodge's Theory and Practice and the Cause of the Discrepancy
Conclusion
Bibliography
本文编号：3803695
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