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文学有哪四种体裁_genre 在 戏剧电影与电视艺术 分类中 的翻译结果

发布时间:2016-10-25 15:50

  本文关键词:假定性、体裁与时空体,由笔耕文化传播整理发布。


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文学有哪四种体裁_genre 在 戏剧电影与电视艺术 分类中 的翻译结果

genre

  

    Make-Belive, Genre and Spatial-Temporal Structure

    假定性、体裁与时空体

短句来源

    The Characterization Genre and Singing Style of Mozart's Opera: Die Zaubrfl(?)te

    莫扎特歌剧《魔笛》的体裁特点和演唱风格

短句来源

    The drama art in Xinjiang, haw a long history, Each nation created its drama with unique artistic characteristics and styles based on its traditional culture. According to form and genre, the drama is divided into opera, dance drama and local drama. If distingue by national feature and region, I key are Uighur opera, Kazak opera, Sibo opera, melody opera and other local opera from the other pants of China.

    新疆的戏剧艺术具有悠久的历史,各个民族在自己传统文化的基础上创造了独具艺术特色与风格的民族戏剧,按其艺术形式和体裁划分有歌剧、舞剧和地方戏曲,以民族特点和地域划分则有维吾尔剧、哈萨克剧、锡伯剧以及从我国内地传入新疆的曲子戏和其它地方戏曲。

短句来源

  

    GENRE FILMS AND THE ATTITUDE OF AUDIENCE

    类型电影与观众态度

短句来源

    Genre Films and Genre Criticism

    类型电影与类型批评

短句来源

    The Definition and Basic Characteristics of Genre Film

    类型电影概念及特征

短句来源

    The American Genre Cinema Trends of the Age of Globalization

    全球化时代美国类型电影的发展趋势

短句来源

    Genre Study and Cold War Cinema: Comments on Spy Detection Films of the Seventeen Year Period

    类型研究与冷战电影:简论“十七年”特务侦察片

短句来源

更多       

  

    A View over the Genre of Quyi Tune-patterns from aspects of Local Cultures

    从地域文化看曲艺唱腔流派

短句来源

    The thesis studys a Beijing Opera performance artist—Fang-rongxiang takings a kind of cultual phenomenon—genre as a point of penetration.

    本论文以一种文化现象——流派作为切入点,对一个京剧表演艺术家进行研究探讨。

短句来源

    Fang-rongxiang’s innovation and creating of traditional drama had suited audience’s asthetic standards of new era, this had furnished a lively example for carrying on and carrying forward the genre in artistic practice;

    方荣翔对传统戏的革新和创造更加适应了新时代观众的审美要求,这在艺术实践上为继承和发展流派提供了一个鲜活的例证;

短句来源

    Fang-rongxiang had contributed to popularity and spread of artistic genre and furnished successful experience.

    方荣翔在艺术流派普及传承方面作出了重要贡献,并提供了成功的经验。

短句来源

  

    Secondly, Chinese opera movies has its characteristics while it shares the commonness as a genre of film art.

    第二,戏曲电影既表现出它之作为一种电影艺术的广泛的共性,更体现出戏曲电影之作为戏曲电影的独特的个性。

短句来源

    Myth——The Retaining and Innovation of Genre——The Transtextual Study of The High Noon and Swordsman of Double Flag Town

    神话——类型的固守与超越——《正午》与《双旗镇刀客》的互文性研究

短句来源

    Wuju Opera: Tunes and Genre of Drama

    婺剧:腔调与剧种

短句来源

    "Red Genre" in the Age of Innocence

    纯真年代里的“红色类型片”——重读“十七年”抗战电影

短句来源

    Call back the Genre and Outdoing: The Butterfly Effect

    类型的超越与回归:《蝴蝶效应》

短句来源

更多       

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  genre

Avec un appareil de ce genre on peut étudier les paramètres des colonnes afin de pouvoir juger de leurs performances.

      

The result shows evidence to the fact that political diagnoses are a special genre of scientific discourse.

      

Vor allem in unfreien Gesellschaften erlaubt zum Beispied das Genre Feuilleton eigenwilligen und sp?ttischen Einspruch gegenMachthaber und Systeme.

      

Aus pragmatischen Gründen beschr?nkt sich die Untersuchung auf das Genre ?Nachrichten? und hier stellvertretend auf eine ?ffentlich-rechtliche (?Tagesschau?) und eine private Nachrichtensendung (?RTL aktuell?).

      

Die Rezension ist im Jahre 2003 immer noch unangefochten das h?ufigste Genre im Feuilleton.

      

更多          



As a literaty genre strictly resthcted by tlnlc alld plilce, dnlma distillguishes itself for [is ullique~ye devices. This anicle gives all analysis of' some representative dramatic works alld proPOses to cliLssil'ydonatic nan-ators, intermediaries of the audience alld the story, itlto tllrec types: the aptylrent narnltor, themulhedimensional nrer and the neutral narrator. It concludes that the chilngcs in dramatic 11arrutlon is tile res[lltof hisbocal inheri~e and develOPment alld the changes satisIY the...

As a literaty genre strictly resthcted by tlnlc alld plilce, dnlma distillguishes itself for [is ullique~ye devices. This anicle gives all analysis of' some representative dramatic works alld proPOses to cliLssil'ydonatic nan-ators, intermediaries of the audience alld the story, itlto tllrec types: the aptylrent narnltor, themulhedimensional nrer and the neutral narrator. It concludes that the chilngcs in dramatic 11arrutlon is tile res[lltof hisbocal inheri~e and develOPment alld the changes satisIY the nceds of the times and bring about betteraesthehc effeCts.

戏剧作为一种受时间和空间严格限制的文学体裁,在叙述方式上有其独特之处,最明显的是表现在叙述者的设置上。文章通过对新时期戏剧代表作的分析,提出作为现众与故事中介的叙述者可归纳为明显的叙述者、多元叙述者、中性叙述者三类.新时期戏剧叙述者设置的这种变化是历史的继承与发展,不仅契合时代的要求,而且能够收到更好的美学效果.

Having culturally analysed the two genres of "Rustic Films "and "Urban Films", the paper presents the characteristics of Chinese Neo - Realistic Film in the 1990's; (1)an orientation of selecting a subject to look real life in the face and inclination to choose folk materials, (2) a humanistic ideal that attempts to bridge tradition and modernity, (3) an implementation of popular artistic tactics to suit pop culture trends at that time. On one hand, Chinese Neo - Realistic Films adheres to the artistic...

Having culturally analysed the two genres of "Rustic Films "and "Urban Films", the paper presents the characteristics of Chinese Neo - Realistic Film in the 1990's; (1)an orientation of selecting a subject to look real life in the face and inclination to choose folk materials, (2) a humanistic ideal that attempts to bridge tradition and modernity, (3) an implementation of popular artistic tactics to suit pop culture trends at that time. On one hand, Chinese Neo - Realistic Films adheres to the artistic nature of all film, on the other hand, it tries to extend into the range of mirroring the many facets of real life.

文章对于九十年代中国的新写实电影从“乡村电影”、“城市电影”的二翼进行文化分析。阐述新写实电影:①直面现实生活的民间化题材取向;②企望沟通传统与现代的人文主义怀想;③适应大众文化时代的通俗化艺术策略。其思潮既是试图回归本体、寻求电影就是电影的自律运动;又是拓展电影表现视界,探寻艺术/文化精神新跨越的主体自觉运动。

In China, there is a huge system of traditional operas. The reason why we have so many local operas is that China pocesses a vast territory, various nations, abundant folknays, complex dialects and a long-standing history. There were 360 genves throughout the country by the general survey in 1984. Among them, nine were big transregional genres. Most genres have their own ranges except that the Beijing Opera disperses all over the country. The major regional divergence of China's traditional operas...

In China, there is a huge system of traditional operas. The reason why we have so many local operas is that China pocesses a vast territory, various nations, abundant folknays, complex dialects and a long-standing history. There were 360 genves throughout the country by the general survey in 1984. Among them, nine were big transregional genres. Most genres have their own ranges except that the Beijing Opera disperses all over the country. The major regional divergence of China's traditional operas is "gentle in the South while firm in the North."The art of our traditional operas is complex as well as integrative. The indication of its integrity is the philosophy of "the integrity with being and nihility", the artistic connotation of high synthesis, and the rich performing technigue.

我国有庞大的戏曲体系。地域辽阔,民族众多,,民俗丰富,语言复杂,历史悠久,是我国戏曲种类繁多的原因。1984 年普查全国有360 个剧种。其中,跨省区的大剧种9 个。除京剧分布于全国以外,多数剧种有专门的分布地域。南柔北刚是我国戏曲艺术的主要地域差异。我国戏剧艺术既有复杂性一面,又有统一性一面。统一性的表现是“有无统一”的哲理观,高度综合的艺术内涵,丰富多彩的表演技巧。

 

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  本文关键词:假定性、体裁与时空体,由笔耕文化传播整理发布。



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