20世纪中国戏剧 在 戏剧电影与电视艺术 分类中 的翻译结果

  本文关键词：20世纪中国戏剧发展论纲(下)，由笔耕文化传播整理发布。

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    The Development of Chinese Theatre in 20th Century

    20世纪中国戏剧发展论纲(下)

短句来源

    Wu Quan and Chinese Drama Studies in the 20th Century

    吴瞿安先生和20世纪的中国戏剧研究

短句来源

    Chinese Theatre in the 20th Century; De-construction and Re-construction of Face-painting

    20世纪中国戏剧:脸谱的消解与重构

短句来源

    Chinese Theater in the 20~(th) Century: Its Modernization and Localization

    二十世纪中国戏剧的现代性与本土化

短句来源

    The Dramatic Changes in 20~(th) Century Chinese Drama

    沧海桑田:二十世纪中国戏剧版图巨变

短句来源

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  century

Calderón-Zygmund singular integral operators have been extensively studied for almost half a century.

Drug Development in the 21st Century: Medicines, Man and Receptors

THE SHAPE OF MEDICINES TO COME: PHARMACEUTICALS IN THE 21ST CENTURY

The pharmaceutical sciences are advancing rapidly in the post-genomic era of the 21st century with the completion of the human genome, as well as those of many other organisms including bacteria and parasites, and the rapid advances in proteomics.

Pancreatic cancer is not only common, but also extremely difficult to treat, for which it has been called "the challenge of the twenty-first century".

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  th

The iterations start with the window g while the iteration steps comprise the window g, the k-th iterand γk, the frame operators S and Sk corresponding to (g, a, b) and (γk, a, b), respectively, and a number of scalars.

Substituents at the 4th and 5th positions of the target thiazoles were introduced by a Hantzsch reaction, and the chain at the second position was extended through a Sandmeyer reaction, formylation, and Wittig olefination.

Letf∈C[0,1], andBn(f,x) be then-th Bernstein polynomial associated with functionf.

The estimates of the energies (the kinetic and the potential energies) and the γ-th moments with γε[2,3) are obtained.

Furthermore, a class of A-stable 2 parameters hybrid one-step methods of order at least 8 are constructed, which use 4th order derivative.

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  th century

The broad sense of manufacturing theory, which extends the concept of manufacturing, is an important development in the 20th century.

The utilization of vibration and wave, which was developed during the latter half of the 20th century, is one of the most valueable technology applications and has been rapidly developing recently [1-10].

Outstanding Biologist of 20th Century (on the 75th Anniversary of the Birth of Academician V.E.

History of Marine Microbiology in Russia (the Soviet Union) in the Second Half of the 20th Century

Gilyarov's scientific school in the development of the subject and methodology of a new complex discipline formed in the mid 20th century-soil zoology-was considered.

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  st century

Drug Development in the 21st Century: Medicines, Man and Receptors

THE SHAPE OF MEDICINES TO COME: PHARMACEUTICALS IN THE 21ST CENTURY

The pharmaceutical sciences are advancing rapidly in the post-genomic era of the 21st century with the completion of the human genome, as well as those of many other organisms including bacteria and parasites, and the rapid advances in proteomics.

Digital manufacturing-the development direction of the manufacturing technology in the 21st century

Electrochemical science and technology in the 21st century have reached high levels of sophistication.

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The cultural genetic factor of the shamanism has become a kind of the ritual formalism of Chinese traditional opera face-painting. Its characteristics are: non-humanization and anti-nature. The process of modernization oi Chinese traditional opera is a history of that:de-construct face-painting, seek reality, and express human personalities. The development of Chinese modern theatre is restricted by its political and cultural environment, so, face-painting's evolution has its complicated process: deconstruction-reconstruction-re-deconstruction-re-reconstruction....

The cultural genetic factor of the shamanism has become a kind of the ritual formalism of Chinese traditional opera face-painting. Its characteristics are: non-humanization and anti-nature. The process of modernization oi Chinese traditional opera is a history of that:de-construct face-painting, seek reality, and express human personalities. The development of Chinese modern theatre is restricted by its political and cultural environment, so, face-painting's evolution has its complicated process: deconstruction-reconstruction-re-deconstruction-re-reconstruction.

“巫”的文化遗传基因形成了中国传统戏曲脸谱的“非人化”、“反自然”的仪式性形式主义。20世纪中国戏剧现代化的过程也就是消解脸谱、追求真实、争取人的个性立于舞台的历史。中国现代戏剧的发展受政治文化生态的制约,故而脸谱有其消解—重构—再消解—再重构的曲折复杂的演化过程。

The essay is mainly about the development of Chinese theatre in 20th century. It says one of the greatest changes of Chinese theatre is the forming of many new types of theatre. Playwriting and stage performance be in perfect harmony,more importance is attached to politics、moral and realistic theme, are also the great changes of theatre. In 20th century, Chinese theatre become even more outward open than before. After mention these achievements, this essay also gives a lot of difficult problems worth thinking....

The essay is mainly about the development of Chinese theatre in 20th century. It says one of the greatest changes of Chinese theatre is the forming of many new types of theatre. Playwriting and stage performance be in perfect harmony,more importance is attached to politics、moral and realistic theme, are also the great changes of theatre. In 20th century, Chinese theatre become even more outward open than before. After mention these achievements, this essay also gives a lot of difficult problems worth thinking.

本文是整体研究 2 0世纪中国戏剧发展历程的一种尝试。在简述 2 0世纪对中国戏剧发展影响最为显著的事件之后 ,本文指出 ,话剧、越剧和评剧等许多新剧种的诞生 ,是本世纪戏剧进程中最重要的变化之一 ;剧本创作与舞台演出之间的全面融合 ,作品在思想上更趋重于政治与道德主题、在内容上对现实题材前所未有的注重 ,都体现出本世纪戏剧创作的明显特色 ,戏剧作品整体风格上的女性化趋势也是值得注意的现象。本世纪的戏剧发展还呈现出开放的特点 ,导致了戏剧观念的演变与现代剧场制度的引进这些深刻影响中国戏剧发展方向的变化。最后本文还指出 ,2 0世纪中国戏剧在取得了巨大成就的同时 ,也留下许多值得深入思考的难题

Drama and Traditional Chinese opera embody aesthetic difference between “seeking natural” and “seeking happy” by the form of “colloquialism” near to life prototype and by the whole model of “song” distinguished itself by modality. This aesthetic difference not only related closely to each cultural background that Drama and Traditional Chinese opera based on, but also to the different “formal ideology” that they bore. On the other hand, as one kind of structural existence of Chinese drama culture in 20th century,...

Drama and Traditional Chinese opera embody aesthetic difference between “seeking natural” and “seeking happy” by the form of “colloquialism” near to life prototype and by the whole model of “song” distinguished itself by modality. This aesthetic difference not only related closely to each cultural background that Drama and Traditional Chinese opera based on, but also to the different “formal ideology” that they bore. On the other hand, as one kind of structural existence of Chinese drama culture in 20th century, Drama and Traditional Chinese opera, through communicating and impacting ceaselessly dated back to the up-to-date historical coincidence, must go to conformity. However, “conformity” don't predicate to abolish their each art reality of Drama and Traditional Chinese opera, in fact, in a sense of culture-communicating, it represent one kind of logical harmony of aesthetic feeling and mutual function complement. And what is more, just only according to the standpoint beyond difference and conflict, it is possible to establish one kind of drama poetics beyond cultural barrier and a new historical view of modern drama including both Drama and Tradition Chinese opera.

话剧与戏曲分别以近似生活原型的“白话”形态和以程式化为特征的“曲”的体式而体现出两者“求真”与“求乐”的审美差异。这种审美差异既与话剧及戏曲所根植的各自的文化土壤分不开 ,也与它们所承载的不同的“形式的意识形态”有关。而同时 ,作为 2 0世纪中国戏剧文化的一种结构性存在 ,话剧与戏曲从最初的历史遇合、经不断地交流碰撞而必然趋于整合。“整合”并非意味着取消话剧与戏曲各自的艺术本体性 ,实则表现出两者在文化交流的意义上的一种逻辑的、美感的协调及功能上的互补。而且正是在文化整合所提供的超越差异与对立的立场上 ,才有可能建立起一种跨越文化屏障的共同的戏剧诗学和包容着话剧与戏曲的新的现代戏剧史观。

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  本文关键词：20世纪中国戏剧发展论纲(下)，由笔耕文化传播整理发布。