歌曲文本互文性的语篇和语用功能分析
发布时间：2022-01-04 02:47
互文性是当代西方后现代主义文化思潮中产生的一种文本理论。二十世纪六十年代,法国文论家克里斯蒂娃首先提出了互文性这一概念,在此之后,许多理论家都对互文性理论进行了不同程度的发展。互文性是指文化叙述性中的互相连接,例如当今的文本总是要溯及到那些早期的文本中的思想和结构,每个时代的语言都建立在那些更早时期语言的基础之上。本文试通过研究歌曲现有文本与背景文本之间的关系,揭示每个文本都不是独立的“岛屿”,而是与其他的文本相互联系,并且这种联系能否被理解取决于读者对于互文性的理解和诠释的程度。本文重点放在歌词文本互文性现象的研究上,对于歌曲的另一组成部分-曲调的互文性也将作出浅析。在本文中,展示了由歌词创作者在歌词文本中所使用到的互文性的三种常用的表现形式（暗示,引用,仿拟）,这三种表现形式把歌词创作者的个人叙述和围绕在他们身边的更大的文化话语背景联系在了一起。本文集中于用互文性的理论和方法分析歌词文本,主要原因是因为在歌词文本相对简洁的语言表达形式下蕴涵着丰富的内涵,而通过利用互文性技巧能够很好地将其挖掘出来。歌词文本形式简单,因此要达到容易被听众记住的效果,就要求在歌词文本中使用更多有效的修辞...
【文章来源】：南京师范大学江苏省 211工程院校
【文章页数】：50 页
【学位级别】：硕士
【文章目录】：
摘要
Abstract
Chapter 1 Introduction
1.1 Research Aims
1.2 The Motivation and Significance of the Study
1.3 Research Design
1.3.1 Research Questions
1.3.2 Research Methodology
1.3.3 Data Analysis Procedures
1.4 The Structure of the Thesis
Chapter 2 Theoretical Foundation
2.1 A Brief Review of the Theories of Intertextuality
2.1.1 Ferdinand de Saussure
2.1.2 Mikhail M.Bakhtin
2.1.3 Julia Kristeva
2.1.4 Roland Barthes
2.1.5 Gerard Genette
2.1.6 Norman Fairclough
2.2 The Classification of Intertextuality
2.2.1 Horizontal and Vertical Intertextuality
2.2.2 Strong and Weak Intertextuality
2.2.3 Manifest and Constitutive Intertextuality
2.2.4 Broad and Narrow Intertextuality
2.2.5 Diachronic and Synchronic Intertextuality
2.2.6 Active and Passive Intertextuality
2.2.7 Specific Intertextuality and Generic Intertextuality
Chapter 3 The Intertextual Property of Lyrics
3.1 A General Study of Lyrics
3.1.1 Definition of Lyrics
3.1.2 Definition and Development of Popular Music
3.1.3 Characteristics of Popular Music
3.2 Types of Intertextual Techniques Employed in lyrics
3.2.1 Allusion
3.2.2 Quotation
3.2.3 Parody
Chapter 4 Intertextual Techniques And their Effects in Lyrics
4.1 Other Functions of Intertextuality in Lyrics
4.1.1 Attracting the Recipients' Attention
4.1.2 Improving the Aesthetic Effect of the Lyrics
4.1.3 Enriching the Varied Expressing Forms of Lyrics
4.2 The Relativity of Intertextuality
Chapter 5 Conclusion
5.1 Summary
5.2 Limitations of the Study
5.3 Implications of the present study
5.4 Suggestions for Further Study
Bibliography
Acknowledgements
【参考文献】：
期刊论文
[1]语篇互文性的语用分析[J]. 辛斌. 外语研究. 2000(03)
本文编号：3567503
【文章来源】：南京师范大学江苏省 211工程院校
【文章页数】：50 页
【学位级别】：硕士
【文章目录】：
摘要
Abstract
Chapter 1 Introduction
1.1 Research Aims
1.2 The Motivation and Significance of the Study
1.3 Research Design
1.3.1 Research Questions
1.3.2 Research Methodology
1.3.3 Data Analysis Procedures
1.4 The Structure of the Thesis
Chapter 2 Theoretical Foundation
2.1 A Brief Review of the Theories of Intertextuality
2.1.1 Ferdinand de Saussure
2.1.2 Mikhail M.Bakhtin
2.1.3 Julia Kristeva
2.1.4 Roland Barthes
2.1.5 Gerard Genette
2.1.6 Norman Fairclough
2.2 The Classification of Intertextuality
2.2.1 Horizontal and Vertical Intertextuality
2.2.2 Strong and Weak Intertextuality
2.2.3 Manifest and Constitutive Intertextuality
2.2.4 Broad and Narrow Intertextuality
2.2.5 Diachronic and Synchronic Intertextuality
2.2.6 Active and Passive Intertextuality
2.2.7 Specific Intertextuality and Generic Intertextuality
Chapter 3 The Intertextual Property of Lyrics
3.1 A General Study of Lyrics
3.1.1 Definition of Lyrics
3.1.2 Definition and Development of Popular Music
3.1.3 Characteristics of Popular Music
3.2 Types of Intertextual Techniques Employed in lyrics
3.2.1 Allusion
3.2.2 Quotation
3.2.3 Parody
Chapter 4 Intertextual Techniques And their Effects in Lyrics
4.1 Other Functions of Intertextuality in Lyrics
4.1.1 Attracting the Recipients' Attention
4.1.2 Improving the Aesthetic Effect of the Lyrics
4.1.3 Enriching the Varied Expressing Forms of Lyrics
4.2 The Relativity of Intertextuality
Chapter 5 Conclusion
5.1 Summary
5.2 Limitations of the Study
5.3 Implications of the present study
5.4 Suggestions for Further Study
Bibliography
Acknowledgements
【参考文献】：
期刊论文
[1]语篇互文性的语用分析[J]. 辛斌. 外语研究. 2000(03)
本文编号：3567503
本文链接：https://www.wllwen.com/wenyilunwen/yuyanyishu/3567503.html
