译者惯习和罗伯特·彭斯诗歌汉译风格的比较研究

发布时间：2024-03-14 03:42

　　苏格兰诗人罗伯特彭斯是19世纪英国浪漫主义的先驱,一生致力于苏格兰民歌的收集、整理、改编工作,留下了370多篇民谣。国内对于彭斯诗歌汉译最早始于1908年,其中袁水拍、王佐良、袁可嘉、李正栓四位译者尤为突出。虽然中国对彭斯诗歌汉译有一定的研究,但很少有研究将他的译介置身于社会这个维度考察,并对于不同译者的惯习进行比较研究。本文在法国社会学家皮埃尔·布迪厄的社会惯习理论指导下,研究苏格兰诗人罗伯特·彭斯袁水拍、袁可嘉、王佐良和李正栓四个译本中体现的汉译风格与译者惯习。翻译是一种社会化规约化的行为,而译者是翻译活动中的主要执行者。译者的主体性可体现在翻译思想、翻译文本的选择以及翻译策略的使用上。译者的主体性是与其特有的惯习形成密不可分的。不同的译者在其独特的成长、学习、交际等社会化的过程中会产生不同的性情倾向,这种倾向性会带来其翻译目的、翻译策略、翻译风格等方面的差异。这些都凸显了翻译行为显著的社会性特征。进入20世纪90年代,中国学者开始关注译者在翻译中的主观介入,他们试图从多个视角探讨译者在翻译中的主体性地位,这种关注使译者逐渐从“幕后”走向“台前”。国内对彭斯诗歌翻译的研究虽然有所涉...

【文章页数】：60 页

【学位级别】：硕士

【文章目录】：
Abstract
Abstract (in Chinese)
Introduction
Chapter One Yuan Shuipai’s Translator’s Habitus and Translation Style
    A. Yuan Shuipai’s translator’s habitus as a poet and his use of new modern Chinese before 1949
    B. Yuan Shuipai’s translator’s habitus and his poetics from a poet’s viewpoint
    C. Yuan Shuipai’s translator’s habitus and his use of rhetoric, imagery and semantics
    D. Yuan Shuipai’s translation style reflecting patriotism in the anti-Japanese war
Chapter Two Wang Zuoliang’s Translator’s Habitus and Translation Style
    A. Wang Zuoliang’s translator’s habitus and his use of mature modern Chinese after 1949
    B. Wang Zuoliang’s translator’s habitus and his understanding of translating poetry
    C. Wang Zuoliang’s translator’s Habitus and his use of rhetoric, imagery and semantics
    D. Wang Zuoliang’s translation style reflecting the revolutionary drive in socialist construction
Chapter Three Yuan Kejia’s Translator’s Habitus and Translation Style
    A. Yuan Kejia’s translator’s habitus and his use of poetic mature modern Chinese after 1949
    B. Yuan Kejia’s translator’s habitus and his original aspiration of translating Burns
    C. Yuan Kejia’s translator’s habitus and his use of rhetoric, imagery and semantics
    D. Yuan Kejia’s translation style reflecting a poet’s translation of another poet
Chapter Four Li Zhengshuan Translator’s Habitus and Translation Style
    A. Li Zhengshuan’s translator’s habitus and his use of contemporary Chinese of the 21st century
    B. Li Zhengshuan’s translator’s habitus and his close understanding of the farmer Burns
    C. Li Zhengshuan’s translator’s habitus and his rhetoric, imagery and semantics
Conclusion
Notes
Bibliography
Acknowledgements
Academic Achievements



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