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论劳伦斯的中短篇小说

发布时间:2019-05-21 14:49
【摘要】:D.H.劳伦斯(David Herbert Lawrence,1885-1930)是二十世纪英国文学史上杰出的小说家之一,也是英国文学中极有争议的人物之一。他是一位自传色彩较浓和情感型的作家,较多地受到生活经历和时代的影响,并把这种影响投射到他的文学创作中。劳伦斯把小说看成人类表达思想情感方式的最高形式,认为小说是人们理解现实的最好方法。他不仅以长篇小说闻名,也以许多中短篇小说著称,它们所体现的强烈的个性与鲜明的人物形象让人印象深刻。虽然劳伦斯的写作重心一直放在长篇小说上,称自己写中短篇小说是为了弥补收入的不足,但事实上他的中短篇小说所取得的成就是不容忽视的。劳伦斯从1907年开始从事短篇小说的创作,一生创作了大约70篇中短篇小说,虽然各时期的中短篇小说题材多样,风格不一,但常与他的长篇小说互相呼应,从中可以窥见他的创作主题和艺术特色。 本文主要由绪论、正文和结语三部分组成。论文的绪论部分简要介绍了国内研究劳伦斯的成果,劳伦斯创作的中短篇小说集以及他的文学地位,并指明了写此论文的目的和意义。 论文的主体部分由三章构成。第一章介绍了劳伦斯中短篇小说题材的多样性。题材的多样性分为四类:矿工生活的题材,两性冲突的题材,,涉及战争的题材,回归自然的题材。其中两性冲突的题材在劳伦斯短篇小说中占据最大的比例,这些反映男女情爱和婚姻生活的作品居于统治的地位。 第二章介绍了劳伦斯中短篇小说的异化主题。异化的主题分为三类:人与自然关系的异化,人性的异化,人与人之间的异化。劳伦斯生活的时代是资本主义工业迅速发展的时代,他以小说家深邃的洞察力发觉到人类在工业文明的进步中所而临的种种无助的异化感,在他的一系列作品中展现了社会的异化现象,并尝试寻求拯救人类的途径。他立足于人与自然、人与人之间关系的探讨来向世人传达他的救世思想。 第三章介绍了劳伦斯中短篇小说的艺术特色。艺术特色分为四类:反讽的运用,对比的运用,象征的运用,心理分析的运用。其中象征的运用包括了自然意象象征、主题性象征和神话原型象征;心理分析的运用包括了直接和间接内心独白的使用,善用自然烘托人物的内心变化和以全知叙述传达人物内心世界。象征和心理分析的运用无疑是劳伦斯最主要的艺术手法,此外他也运用了反讽、对比的手法,这些手法共同构成了劳伦斯中短篇小说的艺术特色。 论文的结语部分总结了劳伦斯在英国文学史上的地位和贡献,概括了劳伦斯中短篇小说具有的独特个性和艺术魅力以及劳伦斯创作思想上的不足之处。
[Abstract]:D.H. Laurence (David Herbert Lawrence,1885-1930 is not only one of the outstanding novelists in the history of English literature in the 20th century, but also one of the most controversial figures in English literature. He is a writer with strong color and emotion in autobiography, which is more influenced by life experience and times, and projects this influence into his literary creation. Laurence regards the novel as the highest form of human expression of thought and emotion, and holds that the novel is the best way for people to understand reality. He is famous not only for novels, but also for many short and medium novels, which embody strong personality and vivid characters. Although Laurence's writing focus has always been on novels, saying that he wrote short and medium novels in order to make up for the lack of income, but in fact, his achievements in medium and short novels can not be ignored. Laurence has been engaged in the creation of short stories since 1907 and has created about 70 short and medium novels in his lifetime. Although the themes and styles of short and medium novels in each period are various, they often echo with his novels. We can see his creative theme and artistic characteristics. This paper is mainly composed of introduction, main body and conclusion. The introduction part of the paper briefly introduces the achievements of domestic research on Laurence, the collection of short and medium novels created by Laurence and his literary status, and points out the purpose and significance of writing this paper. The main part of the paper consists of three chapters. The first chapter introduces the diversity of the themes of Laurence's short and medium novels. The diversity of themes is divided into four categories: the theme of miner's life, the subject of gender conflict, the subject of war, and the subject of returning to nature. Among them, the theme of gender conflict accounts for the largest proportion in Laurence's short stories, and these works, which reflect the love and marriage of men and women, dominate. The second chapter introduces the alienation theme of Laurence's short and medium novels. The theme of alienation is divided into three categories: the alienation of the relationship between man and nature, the alienation of human nature and the alienation between man and man. The era in which Laurence lived was an era of rapid development of capitalist industry. With the profound insight of the novelist, he found all kinds of helplessness and alienation of human beings in the progress of industrial civilization. In a series of his works, he shows the alienation of society and tries to find a way to save human beings. Based on the discussion of the relationship between man and nature and between man and man, he conveys his thought of saving the world to the world. The third chapter introduces the artistic characteristics of Laurence's short and medium novels. Artistic features are divided into four categories: the use of irony, the use of contrast, the use of symbols, and the use of psychoanalysis. Among them, the use of symbols includes natural image symbols, thematic symbols and mythological archetypal symbols. The use of psychoanalysis includes the use of direct and indirect inner monologues, the use of nature to set off the inner changes of the characters and the transmission of the inner world of the characters with omniscience narration. The use of symbolism and psychoanalysis is undoubtedly the most important artistic technique of Laurence. In addition, he also uses irony and contrast, which together constitute the artistic characteristics of Lauren's short and medium novels. The conclusion part of the thesis summarizes the position and contribution of Laurence in the history of English literature, and summarizes the unique personality and artistic charm of Laurence's short and medium novels, as well as the shortcomings of Laurence's creative thought.
【学位授予单位】:上海师范大学
【学位级别】:硕士
【学位授予年份】:2012
【分类号】:I561.074

【参考文献】

相关期刊论文 前1条

1 熊沐清;传统与现代的冲突及糅合——劳伦斯叙事的二重性特征[J];外国文学研究;2001年02期



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