中国古典诗歌翻译对美国现代诗歌的影响
发布时间：2021-05-24 00:19
本论文从以色列学者伊恩·佐哈提出的多元系统翻译理论的视角，研究了中国古典诗歌对美国现代诗歌的影响。 论文的第一章对多元系统理论进行了介绍。多元系统理论是翻译理论中第一种对翻译现象从宏观角度进行研究的理论。该理论突破了传统翻译理论把翻译视为源语文本在目标语中的对应物的局限，把翻译现象置于社会文化的大背景之下，视之为在整个社会一文化这一大的多元系统内，及在文学多元系统内各个子系统为获得统治地位而互相竞争的产物。多元系统的主要理论来源是俄国的形式主义，特别是梯尼亚诺夫（Yury Tynjanov）有关系统的理论，伊恩·佐哈对梯尼亚诺夫的核心概念“系统”（system）和“关系”（Relational）做了进一步的发挥，使之成为多元系统理论中的支柱。他提出了在文学多元系统内的三对矛盾，并指出翻译现象及翻译文学在不同的文化系统内会起到不同的作用。尽管多数情况下翻译文学处于边缘位置，但并非总是如此。伊恩·佐哈总结了翻译文学成为文学的主流样式并促进新的文学样式的发展的三种情况。接着他从两个方面进一步介绍了多元系统理论：一、目标文学多元系统对被翻译的文本是如何进行选择的；二、被翻译的文本与目标文...
【文章来源】：南京师范大学江苏省 211工程院校
【文章页数】：76 页
【学位级别】：硕士
【文章目录】：
ACKNOWLEDGEMENT
摘要
ABSTRACT
前言
CHAPTER 1. INTRODUCTION
1.1 THE OBJECTIVE OF THE THESIS
1.2 THE BACKGROUND OF THE THESIS
1.3 THE THEORETICAL FRAMEWORK OF THE THESIS
1.4 THE STRUCTURE OF THE THESIS
1.5 THE ANTICIPATED CONCLUSION OF THE THESIS
CHAPTER 2 AN INTRODUCTION TO POLYSYSTEM THEORY
2.1 THE SOURCE OF POLYSYSTEM THEORY
2.2 DEFINITION OF POLYSYSTEM
2.3 CENTRAL IDEA OF POLYSYSTEM THEORY
2.3.1 The central concept of polysystem theory: relational
2.3.2 Binary oppositions in the literary system's internal workings
2.3.3 A variety of roles translation plays in different cultural systems
2.3.4 Three kinds of situation when translations can be primary (i. e. innovative) and contribute to the elaboration of new repertoires
2.3.5 Even-Zohar's further investigation into the selection and adaptation of translated works in a given cultural polysystem
2.4 POLYSYSTEM'S LIMITATIONS
CHAPTER 3 CASE STUDY Ⅰ: CHINESE POETRY AND AMERICAN IMAGISM
3.1 LARGER SOCIO-CULTURAL POLYSYSTEM IN THE LATE 19TH CENTURY
3.1.1 The cultural polysystem: The growing interests in Chinese art in Europe throughout 19th century
3.1.2 The Economical Polysystem: East India Company's pursuit of the vast commercial potential and extended trade in China and Open Door policy
3.1.3 The Religious Polysystem: Missionary activities in China
3.2 A BRIEF REVIEW OF THE HISTORY OF CHINESE POETRY TRANSLATION
3.3.THE POLYSYSTEMS OF BRITISH AND AMERICAN LITERATURE AT THE BEGINNING OF THE 20~(TH) CENTURY
3.4.EZRA POUND AND IMAGISM
3.4.1 Pound's interests in China and the rise of Imagism
3.4.2 Cathay-"The invention of Chinese poetry" by Pound
3.4.3.The rewriting of Chinese poetry in English in Cathay
3.4.4.The justification for Pound's rewriting of Chinese poetry
3.4.5 The bearing of Pound's translation and its methodological meaning
3.5. THE INFLUENCE OF CHINESE POETRY ON THE FUTURE OF AMERICAN LITERATURE
3.5.1 The unrhymed free verse style
3.5.2 The Chinese factor on the style and theme of American poetry
3.5.3.The defamiliarization of English
CHAPTER 4 CASE STUDY Ⅱ: THE CHINESE POETRY AND THE BEATS GENERATION
4.1 LARGER SOCIO-CULTURAL POLYSYSTEM OF AMERICAN IN 1960'S
4.1.1 The political-economical polysystem—the prosperity of economy and the plight in politics
4.1.2 The cultural polysystem—decade of change and the spread of Zen Buddhism and Daoism
4.2 THE POLYSYSTEM OF AMERICAN LITERATURE IN EARLY 1960
4.2.1 The center of the literary system:: T. S. Eliot and New Criticism
4.2.2 The peripheral elements of literary system: The Post Modernism and the Beat Generation
4.2.3 The American literature in a state of crisis: the denial of canonized values and poetic forms
4.3 THE TRANSLATION OF HAN SHAN'S POEMS AND ITS ROLE IN THE EVOLUTION OF AMERICAN LITERARY POLYSYSTEM
4.3.1.The person of Han Shan and his poems
4.3.2 Gary Snyder and his translation of Han Shan's poems
4.3.3 The role Snyder's Han Shan plays in the Beat Movement
CHAPTER 5 CONCLUSION
REFERENCE
本文编号：3203226
【文章来源】：南京师范大学江苏省 211工程院校
【文章页数】：76 页
【学位级别】：硕士
【文章目录】：
ACKNOWLEDGEMENT
摘要
ABSTRACT
前言
CHAPTER 1. INTRODUCTION
1.1 THE OBJECTIVE OF THE THESIS
1.2 THE BACKGROUND OF THE THESIS
1.3 THE THEORETICAL FRAMEWORK OF THE THESIS
1.4 THE STRUCTURE OF THE THESIS
1.5 THE ANTICIPATED CONCLUSION OF THE THESIS
CHAPTER 2 AN INTRODUCTION TO POLYSYSTEM THEORY
2.1 THE SOURCE OF POLYSYSTEM THEORY
2.2 DEFINITION OF POLYSYSTEM
2.3 CENTRAL IDEA OF POLYSYSTEM THEORY
2.3.1 The central concept of polysystem theory: relational
2.3.2 Binary oppositions in the literary system's internal workings
2.3.3 A variety of roles translation plays in different cultural systems
2.3.4 Three kinds of situation when translations can be primary (i. e. innovative) and contribute to the elaboration of new repertoires
2.3.5 Even-Zohar's further investigation into the selection and adaptation of translated works in a given cultural polysystem
2.4 POLYSYSTEM'S LIMITATIONS
CHAPTER 3 CASE STUDY Ⅰ: CHINESE POETRY AND AMERICAN IMAGISM
3.1 LARGER SOCIO-CULTURAL POLYSYSTEM IN THE LATE 19TH CENTURY
3.1.1 The cultural polysystem: The growing interests in Chinese art in Europe throughout 19th century
3.1.2 The Economical Polysystem: East India Company's pursuit of the vast commercial potential and extended trade in China and Open Door policy
3.1.3 The Religious Polysystem: Missionary activities in China
3.2 A BRIEF REVIEW OF THE HISTORY OF CHINESE POETRY TRANSLATION
3.3.THE POLYSYSTEMS OF BRITISH AND AMERICAN LITERATURE AT THE BEGINNING OF THE 20~(TH) CENTURY
3.4.EZRA POUND AND IMAGISM
3.4.1 Pound's interests in China and the rise of Imagism
3.4.2 Cathay-"The invention of Chinese poetry" by Pound
3.4.3.The rewriting of Chinese poetry in English in Cathay
3.4.4.The justification for Pound's rewriting of Chinese poetry
3.4.5 The bearing of Pound's translation and its methodological meaning
3.5. THE INFLUENCE OF CHINESE POETRY ON THE FUTURE OF AMERICAN LITERATURE
3.5.1 The unrhymed free verse style
3.5.2 The Chinese factor on the style and theme of American poetry
3.5.3.The defamiliarization of English
CHAPTER 4 CASE STUDY Ⅱ: THE CHINESE POETRY AND THE BEATS GENERATION
4.1 LARGER SOCIO-CULTURAL POLYSYSTEM OF AMERICAN IN 1960'S
4.1.1 The political-economical polysystem—the prosperity of economy and the plight in politics
4.1.2 The cultural polysystem—decade of change and the spread of Zen Buddhism and Daoism
4.2 THE POLYSYSTEM OF AMERICAN LITERATURE IN EARLY 1960
4.2.1 The center of the literary system:: T. S. Eliot and New Criticism
4.2.2 The peripheral elements of literary system: The Post Modernism and the Beat Generation
4.2.3 The American literature in a state of crisis: the denial of canonized values and poetic forms
4.3 THE TRANSLATION OF HAN SHAN'S POEMS AND ITS ROLE IN THE EVOLUTION OF AMERICAN LITERARY POLYSYSTEM
4.3.1.The person of Han Shan and his poems
4.3.2 Gary Snyder and his translation of Han Shan's poems
4.3.3 The role Snyder's Han Shan plays in the Beat Movement
CHAPTER 5 CONCLUSION
REFERENCE
本文编号：3203226
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