戴乃迭《边城》英译本的审美再现研究
发布时间：2024-04-07 20:05
当前我国面临文化发展的新局面,随着国家对“文化走出去”战略的高度重视,文学外译研究已逐步成为翻译领域的研究热点之一,并呈方兴未艾之势。文学外译作品作为文化传播的有力途径,不断地推动着中华文化面向世界。《边城》是沈从文的代表作,是中国乡土文学中一块华丽的瑰宝,沈从文那田园牧歌般的笔法使其极具美学研究价值。自《边城》出版,以戴乃迭的英译本最广为人知。国内外学者对《边城》的研究较为详尽,但多与原作的主题、文体特征、人物塑造、女性意识相关,而有关其英译的研究相对较少,基于美学角度的研究更不充分。因此,本文将以刘宓庆的翻译美学理论为基础,通过文献法、描述法和对比研究法围绕审美客体的两个子系统对戴译进行分析,欲探索出能够丰富译文读者审美体验的翻译策略和方法。研究围绕三个问题展开:一、沈从文在《边城》中呈现了哪些美学信息?二、在传递美学信息的过程中,戴乃迭的译文有何长处与不足?三、戴乃迭在翻译实践中运用了哪些方法?经研究,本文得出以下结论:一、本文从5个层次归纳了沈从文在《边城》中呈现的美学信息,分别是形式系统中的语音、词汇和句法层,以及非形式系统中的图像和意境层。从语音角度看,文中运用了大量的拟声...
【文章页数】：97 页
【学位级别】：硕士
【文章目录】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
Chapter One INTRODUCTION
1.1 Background of the Study
1.2 Significance of the Study
1.3 Research Questions and Methodology
1.4 Structure of the Thesis
Chapter Two LITERATURE REVIEW
2.1 Studies on the Origins of Translation Aesthetics
2.1.1 Development of Translation Aesthetics Abroad
2.1.2 Development of Translation Aesthetics at Home
2.2 Previous Studies of Bian Cheng
2.2.1 An Introduction of Bian Cheng
2.2.2 An Introduction of Bian Cheng’s Translator
2.2.3 An Introduction of Gladys Yang’s Translation Views
2.2.4 Previous Studies on English Versions of Bian Cheng
2.2.5 Deficiencies in the Previous Studies
Chapter Three THEORETICAL FOUNDATION
3.1 Definition of Translation Aesthetics
3.2 Aesthetic Components in Translation
3.2.1 Translation Aesthetic Subject
3.2.2 Translation Aesthetic Objects
3.3 The Four Aesthetic Steps of Literary Translation
3.3.1 Aesthetic Comprehension
3.3.2 Aesthetic Transformation
3.3.3 Aesthetic Improvement
3.3.4 Aesthetic Representation
Chapter Four AESTHETIC REPRESENTATION OF BIAN CHENG IN TARGET LANGUAGE
4.1 Aesthetic Representation in Formal System
4.1.1 At Phonetic Level
4.1.2 At Lexical Level
4.1.3 At Syntactic Level
4.2 Aesthetic Representation in Non-formal System
4.2.1 Representation of Image
4.2.2 Representation of Artistic Conception
Chapter Five CONCLUSION
5.1 Major Findings
5.2 Limitations
5.3 Suggestions for the Further Study
REFERENCES
PUBLISHED PAPERSl
本文编号：3947900
【文章页数】：97 页
【学位级别】：硕士
【文章目录】：
ACKNOWLEDGEMENTS
ABSTRACT
摘要
Chapter One INTRODUCTION
1.1 Background of the Study
1.2 Significance of the Study
1.3 Research Questions and Methodology
1.4 Structure of the Thesis
Chapter Two LITERATURE REVIEW
2.1 Studies on the Origins of Translation Aesthetics
2.1.1 Development of Translation Aesthetics Abroad
2.1.2 Development of Translation Aesthetics at Home
2.2 Previous Studies of Bian Cheng
2.2.1 An Introduction of Bian Cheng
2.2.2 An Introduction of Bian Cheng’s Translator
2.2.3 An Introduction of Gladys Yang’s Translation Views
2.2.4 Previous Studies on English Versions of Bian Cheng
2.2.5 Deficiencies in the Previous Studies
Chapter Three THEORETICAL FOUNDATION
3.1 Definition of Translation Aesthetics
3.2 Aesthetic Components in Translation
3.2.1 Translation Aesthetic Subject
3.2.2 Translation Aesthetic Objects
3.3 The Four Aesthetic Steps of Literary Translation
3.3.1 Aesthetic Comprehension
3.3.2 Aesthetic Transformation
3.3.3 Aesthetic Improvement
3.3.4 Aesthetic Representation
Chapter Four AESTHETIC REPRESENTATION OF BIAN CHENG IN TARGET LANGUAGE
4.1 Aesthetic Representation in Formal System
4.1.1 At Phonetic Level
4.1.2 At Lexical Level
4.1.3 At Syntactic Level
4.2 Aesthetic Representation in Non-formal System
4.2.1 Representation of Image
4.2.2 Representation of Artistic Conception
Chapter Five CONCLUSION
5.1 Major Findings
5.2 Limitations
5.3 Suggestions for the Further Study
REFERENCES
PUBLISHED PAPERSl
本文编号：3947900
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