哈代《还乡》和《德伯家的苔丝》景物描写中的反讽

发布时间：2021-12-12 08:25

　　本文作者从语言层次上和叙述对话上探讨了哈代小说《还乡》和《德伯家的苔丝》中景物描写中三种反讽形式—情景反讽、戏剧反讽和命运反讽。 在《还乡》中，小说贯穿着关于人与自然的关系两种对立观点。一个是人与自然和谐的观点，另一个是人与自然敌视的观点。这两种观点成为小说中不同反讽的基础。 在《德伯家的苔丝》中，小说中不同反讽是基于苔丝投入过多情感到自然当中和自然对人类的冷漠和支配的对比。哈代在小说中对情感的强调事实上赢得了读者对苔丝的同情，并增强了反讽力度。 

【文章来源】：广东外语外贸大学广东省

【文章页数】：95 页

【学位级别】：硕士

【文章目录】：
Chapter One Introduction
    1 A Brief Biographical Account of Thomas Hardy
    2 The Literary Influence on Hardy
    3 Hardy's Aesthetic Views
        3.1 Subjective Aesthetics and Disproportioning Art
        3.2 Views on Tragedy
        3.3 Views on Fiction
    4 Thesis Statement and Layout of the Paper
Chapter Two Review of Related Literature
    1 Definition and Classification of Irony
    2 Basis of Irony-Different levels of meaning and Different Point of View
        2.1 Different Levels of Meaning
        2.2 Different Points of View
    3 Theories applied in stylistic analysis
        3.1 Halliday's Functional Model of Language
        3.2 Mind Style
            3.2.1 Descriptive Focus
            3.2.2 Psychical Distance
            3.2.3 Participant Relations
        3.3 The Rhetoric of Text
            3.3.1 The Principle of End-focus
            3.3.2 The Rhythm of Prose
            3.3.3 Segmentation and Syntax
            3.3.4 The Principle of Subordination
            3.3.5 The Principle of Climax
            3.3.6 Periodic Sentence Structure and Loose Sentence Structure
            3.3.7 Iconicity: The Imitation Principle
    4 Summery
Chapter Three Ironies in the Scenery Description in The Return of the Native
    1 Synopsis of the Novel
    2 Situational Irony in Scenery Description in RN
    3 Dramatic Irony in Scenery Description in RN
    4 Cosmic Irony in Scenery Description in RN
    5 Summary
Chapter Four Ironies in the Scenery Description in Tess of the D'Urbervilles
    1 Synopsis of the Novel
    2 Situational Irony in Scenery Description in TD
    3 Dramatic Irony in Scenery Description in TD
    4 Cosmic Irony in Scenery Description in TD
    5 Sum_mary
Chapter Five Conclusion
Works Cited



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