国家形象宣传片《中国》中多模态隐喻和转喻的认知研究

发布时间:2024-03-09 03:10
  近年来,信息技术的飞速发展将多模态交际推向了新的高度,不同体裁的多模态文本成为语言学研究的热点。以往从系统功能语言学视角和认知语言学视角出发的多模态转喻和隐喻研究,为我们展示不同体裁中多模态转喻和隐喻的表征类型、区别性特征等。但关于多模态隐喻及转喻的分类、意义建构方式以及二者间的互动方式仍有待进一步探究。因此,本文运用概念转喻理论、概念隐喻理论、多模态转喻理论及多模态隐喻理论对国家形象宣传片《中国》中的多模态隐喻和转喻的类型、意义建构及互动方式进行研究。本文有三个研究问题:(1)国家形象宣传片《中国》中有哪些类型的多模态隐喻和转喻?(2)国家形象宣传片《中国》中多模态隐喻和转喻的意义是如何建构的?(3)国家形象宣传片《中国》中多模态转喻和隐喻是如何互动来呈现国家形象的?通过分析,本文有如下发现:(1)宣传片《中国》中多模态隐喻可分为四种基本类型:“源域(图像)-目标域(声音+文字)”隐喻、“源域(图像+文字+音乐)-目标域(隐含)”隐喻、“源域(图像)-目标域(隐含)”隐喻、“源域(文字)-目标域(文字)”隐喻。宣传片中多模态转喻比重较大,可分为部分代整体和部分代部分两种类型,前者包括...

【文章页数】:142 页

【学位级别】:硕士

【文章目录】:
Abstract
摘要
Introduction
    0.1 Research Background
    0.2 Research Objective and Methodology
    0.3 Research Significance
    0.4 Layout of the Thesis
Chapter One Literature Review
    1.1 Previous Studies on Multimodal Metaphor and Metonymy
        1.1.1 Previous Studies on Multimodal Metaphor and Metonymyfrom the Perspective of Systemic Functional Linguistics
        1.1.2 Previous Studies on Multimodal Metaphor and Multimodal Metonymy from the Perspective of Cognitive Linguistics
    1.2 Previous Studies on NPFs
        1.2.1 Previous Studies on NPFs from Linguistic Perspective
        1.2.2 Previous Studies on NPFs from Other Perspectives
    1.3 Summary
Chapter Two Theoretical Foundation
    2.1 Conceptual Metaphor Theory and Conceptual Metonymy Theory
        2.1.1 Conceptual Metaphor Theory
        2.1.2 Conceptual Metonymy Theory
        2.1.3 Interactions between Conceptual Metaphor and ConceptualMetonymy
    2.2 Multimodal Metaphor Theory and Multimodal Metonymy Theory
        2.2.1 Multimodal Metaphor Theory
        2.2.2 Multimodal Metonymy Theory
        2.2.3 Interactions between Multimodal Metaphor and Multimodal Metonymy
    2.3 Summary
Chapter Three Classification of the Multimodal Metaphors andMetonymies in NPF China
    3.1 Classification of the Multimodal Metaphors in NPF China
        3.1.1 The"Source(pictorial signs)-Target(spoken signs+ written signs)"Metaphor
        3.1.2 The"Source(pictorial signs+ written signs+ music)-Target(implied)"Metaphor
        3.1.3 The"Source(pictorial signs)-Target(implied)"Metaphor
        3.1.4 The"Source(written signs)-Target(pictorial signs)"Metaphor
    3.2 Classification of the Multimodal Metonymies in NPF China
        3.2.1 PART FOR WHOLE
        3.2.2 PART FOR PART
    3.3 Summary
Chapter Four Meaning Construction of the Multimodal Metaphorsand Metonymies in NPF China
    4.1 The Process of Meaning Construction of the MultimodalMetaphors and Metonymies in NPF China
        4.1.1 The Process of Meaning Construction of the MultimodalMetaphors in NPF China
        4.1.2 The Process of Meaning Construction of the MultimodalMetonymies in NPF China
    4.2 Cognitive Motivations for Meaning Construction of theMultimodal Metaphors and Metonymies in NPF China
        4.2.1 Cognitive Motivations for Meaning Construction of theMultimodal Metaphors in NPF China
        4.2.2 Cognitive Motivations for Meaning Construction of Multimodal Metonymies in NPF China
    4.3 Summary
Chapter Five Interaction Between the Multimodal Metaphors andMetonymies in NPF China
    5.1 Multimodal Metonymy Representing the Target Domain of a Multimodal Metaphor
    5.2 Multimodal Metonymy Representing the Source Domain of a Multimodal Metaphor
    5.3 Multimodal Metonymy Enriching a Multimodal Metaphor
    5.4 Summary
Conclusion
    1.Work Done in This Thesis
    2.Major Findings
    3.Limitations and Suggestions for Further Research
Bibliography
Appendix The Pictures in NPF China
Acknowledgements



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