舞蹈与音乐之关系研究

发布时间：2018-01-25 11:09

  本文关键词： 舞蹈 音乐 关系 形式要素 审美　出处：《中国艺术研究院》2016年博士论文　论文类型：学位论文

【摘要】：舞蹈与音乐之关系,似乎是个极为简单的问题,以至于所有人都能就这个问题发表自己的见解。但事实上,它远非如此简单,因而时至今日,对它的解答依然难尽人意。为了更全面且深入地回答这个问题,笔者对已有的相关研究成果及研究方法作了较为全面的考察与分析,并从中借鉴了诸多高屋建瓴的观点。同时,我认为,在已有的研究中,无论是研究方法还是理论阐释,都存在着一些不足,由此引发了笔者这篇博士学位论文的选题。在本论文的研究中,笔者主要从以下三个角度出发,对舞蹈与音乐之关系作了较为深入的探讨：第一,在舞蹈与音乐的历时关系中,首先考察了原始艺术的综合形态和原始舞蹈的主要特点；其次,讨论了原始舞蹈与音乐相联结的物质条件、形式要素及外在形式特征；再者,分析了原始舞蹈与音乐分道扬镳的原因与影响,并对两者的并行发展作了简要描述。第二,在舞蹈与音乐的共时关系中,考察了两者共有的形式要素及其内在的联系：首先,提出了舞蹈与音乐都产生于人之内在情感活动及其动力,即内在的力。换言之,正是这种内在的力导致了艺术创作和表现的冲动,即由心到身、外在的力之运动。“一切动作都是以力为主题的时空变奏!”——在对舞蹈艺术的这一精准阐发的启示下,笔者就时间要素及与之相关的节奏、空间要素及与之相关的线条、艺术表现特性方面的具象与抽象等问题,分别作了分析与讨论,力求在形式要素的层面上,探究舞蹈与音乐之所以能够联结共生所必备的审美特性。第三,在舞蹈审美创造的动态流程中,以上述研究成果为基础,探讨了音乐在舞蹈创作、表演和鉴赏这三个不同阶段中所具有的功能与整合形成的意义。总体上看,舞蹈与音乐的联结协作,首先基于它们原初形态的天然联系,这主要体现在它们使用的物质材料都是人的身体；同时,它们都直接产生于人之内在情感的外在表现冲动；其次,它们的外在形式材料分别是实体性的人体和非实体性的音响,这为它们在同一个时空中的联结共生提供了可能性与现实性；再次,它们的外在形式运动都具有节奏性,这为它们的并行协作提供了必要保障；此外,它们的审美表现性各有优长,这为它们的联结协作提供了必要性与必然性；最后,舞蹈广博的包容性以及对其他艺术的同化能力,使得它能够从容接纳音乐等各门类艺术,在以舞为本的前提下,于有限的时空中,绽放出多样中见同一,共生中见差异的无限艺术魅力。最后,笔者就包括舞蹈与音乐在内的各门类艺术间的关系提出了三个“决定论”：(一)两种或多种独立的艺术形式能否联结共生,取决于它们各自使用的物质材料之属性,即“物质材料决定论”；(二)哪几种艺术形式有必要联结协作,取决于它们各自的审美效能,即“审美效能决定论”；(三)不同艺术形式能否有效地并行协作,取决于它们的时空关系,即“时空关系决定论”。
[Abstract]:The relationship between dance and music, seems like a very simple question, so that everyone can express their views on this issue. But in fact, it is not so simple, so today, the answer is still nanjinrenyi. To answer this question more comprehensively and deeply, the author of the existing the research results and methods for the investigation and comprehensive analysis, and to learn from many points of view. Sweep down irresistibly from a commanding height at the same time, I think, in the previous study, both research methods and theoretical explanation, there are some defects, resulting in this doctoral dissertation of the author in the topic. The research of this thesis, the author mainly from the following three perspectives, discusses the relationship between dance and music: first, in which the relationship between dance and music, first examine the comprehensive original art The main characteristics of morphology and original dance; secondly, discusses the original dance and music of the combination of material conditions, form factors and external features; furthermore, analyzes the causes and effects of the original dance and music and the parallel development of part company each going his own way, both are briefly described. In second, the dance and the music is in study the common form of elements and their internal relations: firstly, put forward the dance and music are produced in the inner emotional activities and power, namely internal force. In other words, it is the intrinsic force causes the artistic creation and the performance of the impulse from the heart to the body, external movement the force. "All actions are the temporal variations in the theme!" -- on the art of dance in this precise elucidation of the enlightenment, the time and rhythm related elements, space elements and related Lines, artistic characteristics of the concrete and abstract problems were analyzed and discussed, in order to form elements on the level of inquiry has been able to dance and music aesthetic characteristics are essential. Third coupling symbiosis, dynamic process in dance aesthetic creation, based on the above research, the study of music in dance creation, with the three different stages of performing and appreciating the function of integration and the formation of meaning. On the whole, linking collaborative dance and music, based on the original form of the natural relationship between them, which is mainly reflected in their use of the material is the human body; at the same time, all of them directly in the manifestation of inner emotional impulses; secondly, they are the material form of the human entity and non entity of sound, this is their connection at the same time the total Provide the possibility and reality; thirdly, they have the form of movement rhythm, which provides the necessary guarantee for their parallel cooperation; in addition, the aesthetic performance of their each have advantages, which provides the necessity and inevitability for connecting their cooperation; the most extensive, inclusive dance and on the other the art of assimilation, so it can calm acceptance music all kinds of Arts, in order to dance under the premise of limited space, blooming in the same variety, see the infinite charm of art in symbiotic differences. Finally, the relationship between dance and music, including various categories the art of the three "determinism": (a) two or more independent art form can connect symbiosis, depending on their use of the material properties, namely "material determinism"; (two) what kinds of The form of art is necessary to connect and cooperate, depending on their aesthetic efficiency, namely, the determinism of aesthetic efficacy. (three) whether different forms of art can cooperate effectively or not depends on their temporal and spatial relations, namely, the determinism of temporal and spatial relations.

【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2016
【分类号】：J70-05
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本文编号：1462700