清代南方唱书研究

发布时间：2018-03-01 02:30

  本文关键词： 清代长篇叙事诗 南方唱书 曲艺说唱 俗文学　出处：《山西大学》2016年博士论文　论文类型：学位论文

【摘要】：“唱书”是一种在清代流传于南方沿江流域的曲艺表演形式,亦指其所使用的长篇叙事诗说唱文本(唱句的组成具有固定结构、押韵规范)。“唱书”也被称为“清代说唱词话”,其传承自宋代“词文”、元明“说唱词话”,在南方影响深远,与清代北方最大的曲艺曲种“鼓词”遥相对应。“唱书”文本现存约600馀种,多为清代或民国时期的木刻、石印、手抄形式。其表演形式在沿江省份至今仍有流传,并已进入国家级“非物质文化遗产”保护名录。“清代南方唱书”,在整个清代传统文化、俗文学、伦理道德、思想精神层面处于一个怎样的地位呢?清代社会,“因为平民的知识浅陋,识字不多,耳目所见,只有这种唱书(曲本)世代相传,遂成为一种不成文的‘法典’,无人能够推翻。故儿子的孝事父母,妻妾的顺事夫婿,臣下的忠事君主,仆佣的勤守职责,皆从这种‘箴规类’的唱书(曲本)而来,鼓吹铺叙,深深刻入平民的心中而不可消灭”。①“唱书”所宣扬的思想,全面渗透进了清代平民的家庭与社会生活,在深入分析这一前提的基础上,本论文旨在从多重角度入手,研究“清代南方唱书”的深层实质内容,并由此揭示出这些深层实质内容流传久远的原因所在。本论文共分十一章：第一章绪论,阐释了“清代南方唱书”的基本概念、选题缘起、前期研究成果综述以及研究的价值与意义。第二章,在总结前辈学者研究成果的基础上进一步探讨“清代南方唱书”与“清代说唱词话”的互证与衔接；第三、四章,以清代湖南、湖北、云南、贵州、四川地区的“唱书”为个案展开对“清代南方唱书”的微观研究；第五章,着力挖掘清末民初上海石印书局出版的“唱书”流传情况。第六章,从句式、词汇、方言等方面解读清代南方唱书的文本特征；第七、八章,论述清代南方唱书的“元代社会记忆”与“当代社会记忆”；第九章,厘清“清代南方唱书”的曲种变异;第十章,清代南方唱书所折射的底层民众思想意识形态；第十一章结语。美国学者保罗·康纳顿在他的《社会如何记忆》一书中曾提到“从口头文化到书面文化的过渡,是从体化实践(incorporating practices)到刻写实践(inscribing practices)的过渡。文字的影响取决于这样一个事实：用刻写传递的任何记述,被不可改变地固定下来,其撰写过程就此截止。”②在笔者看来,“清代南方唱书”既是一种记载“体化实践”的历史“社会记忆”,也是一种记载清代“刻写实践”的现当代“社会记忆”。
[Abstract]:"Sing Book" is a kind of quyi performance form which was circulated in the southern river basin in the Qing Dynasty. It also refers to the long narrative poem rap text (the composition of the singing sentence has a fixed structure). Rhyme standard. "singing book" is also called "Qing Dynasty rap and singing words", which is inherited from Song Dynasty "ci Wen" and Yuan Ming Dynasty "rap and sing ci word", which has far-reaching influence in the south. "Drum ci", the largest kind of quyi song in the north of Qing Dynasty, corresponds to the distance. There are more than 600 kinds of "singing book" texts, most of which are woodcut, lithograph and handwritten form of Qing Dynasty or the Republic of China. Their performance forms are still circulating in the provinces along the Yangtze River. And has entered the national "intangible cultural heritage" protection list. "the south of the Qing Dynasty singing books", in the whole Qing Dynasty traditional culture, vulgar literature, ethics, ideological and spiritual level in a what position? In Qing Dynasty society, "because the common people have little knowledge, little literacy, and what they hear and see, only this kind of singing book (song book) has been handed down from generation to generation, thus becoming an unwritten 'code of', and no one can overthrow it. So the filial piety of the son, the obedient husband of his wife and concubine, The faithful monarchs, servants and maids, all of whom come from this kind of "pro rules" singing books (songs), preach narration and carve it deeply into the hearts of the common people, and cannot destroy the ideas proclaimed by "the Sing Book," On the basis of in-depth analysis of this premise, this paper aims to study the deep substance of the Song Shu in the South of Qing Dynasty from many angles. This paper is divided into eleven chapters: the first chapter introduces the basic concept of "the Southern Song Book of the Qing Dynasty", and the origin of the topic. Chapter two, on the basis of summarizing the previous scholars' research achievements, further discusses the mutual proof and cohesion of "the Southern singing Book of Qing Dynasty" and "Qing Dynasty Rap words"; Chapter three, four chapters, Taking Hunan, Hubei, Yunnan, Guizhou and Sichuan provinces in the Qing Dynasty as a case study, the microcosmic study of "singing Books in the South of Qing Dynasty"; Chapter 5th, Try to excavate the spread of "singing Book" published by Shanghai Shiyin Book Bureau in the late Qing Dynasty and early Republic of China. Chapter 6th, interpretation of the text characteristics of the Southern Song Book in Qing Dynasty from sentence structure, vocabulary, dialect, etc.; 7th, 8 chapters, This paper discusses the "Yuan Dynasty Social memory" and "Contemporary Social memory" of the Southern singing Books of Qing Dynasty; 9th chapters, clarifies the variation of the songs of the Southern Song Books of the Qing Dynasty; 10th chapters, the ideological ideology of the underclass people reflected by the Southern Song Books of the Qing Dynasty; American scholar Paul Connatton, in his book how Society remembers, said, "the transition from oral culture to written culture." It is the transition from practice to writing practice. The influence of words depends on the fact that any description transmitted by engraving is immutable, From the author's point of view, singing books in the south of Qing Dynasty is not only a kind of historical "social memory" which records "practice of writing", but also a kind of "social memory" which records the "writing practice" of Qing Dynasty.
【学位授予单位】：山西大学
【学位级别】：博士
【学位授予年份】：2016
【分类号】：I207.39
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本文编号：1550032